Gnoe Graasland

“From his shoulder on down, the Rat felt the supple weight of her body. An odd sensation, that weight. This being that could love a man, bear children, grow old, and die; to think one whole existence was in this weight.”
― Haruki Murakami, Pinball, 1973

“He weeps like a child, catching his breath and hiccuping,his face drenched with tears.We are random animals. That is who we are, and we have only ourselves, nothing more--there is no greater relationship. [..] We are risen does, not fallen angels. Tomás is strangled by loneliness.”
― Yann Martel, The High Mountains of Portugal

“It's a tiny, inexpungable parcel of fear, yet not incapacitating nor even a source of much worry. He never feels dread or anxiety with Odo, never anything so lingering. It rather goes like this: The ape appears without the least sound, seemingly out of nowhere, and among the emotions Peter feels--the surprise, the wonder, the pleasure, the joy--there is a pulse of fear.He can do nothing about it except wait for the pulse to go away. That is a lesson he has learned, to treat fear as a powerful but topical emotion. He is afraid only when he needs to be.”
― Yann Martel

“And so the explanation for why Agatha Christie is the most popular author in the history of the world. Her appeal is as wide and her dissemination as great as the Bible's, because she is a modern apostle, a female one--about time, after two thousand years of men blathering on. And this new apostle answers the same questions Jesus answered: What are we to do with death? Because murder mysteries are always resolved in the end, the mystery neatly dispelled. We must do the same with death in our lives: resolve it, give it meaning, put it into context however hard that might be.”
― Yann Martel, The High Mountains of Portugal