Yvette Jett

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Complex PTSD: Fro...
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Wuthering Heights
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Strange Houses
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Toni Morrison
“There is no bad luck in the world but whitefolks”
Toni Morrison, Beloved

Miranda July
“What a terrible mistake to let go of something wonderful for something real.”
Miranda July, No One Belongs Here More Than You

Toni Morrison
“When I write, I don't translate for white readers.... Dostoevski wrote for a Russian audience, but we're able to read him. If I'm specific, and I don't overexplain, then anyone can overhear me.”
Toni Morrison

Toni Morrison
“Sunk in the grass of an empty lot on a spring Saturday, I split the stems of milkweed and thought about ants and peach pits and death and where the world went when I closed my eyes.”
Toni Morrison, The Bluest Eye

Toni Morrison
“Is there no context for our lives? No song, no literature, no poem full of vitamins, no history connected to experience that you can pass along to help us start strong? You are an adult. The old one, the wise one. Stop thinking about saving your face. Think of our lives and tell us your particularized world. Make up a story. Narrative is radical, creating us at the very moment it is being created. We will not blame you if your reach exceeds your grasp; if love so ignites your words they go down in flames and nothing is left but their scald. Or if, with the reticence of a surgeon's hands, your words suture only the places where blood might flow. We know you can never do it properly - once and for all. Passion is never enough; neither is skill. But try. For our sake and yours forget your name in the street; tell us what the world has been to you in the dark places and in the light. Don't tell us what to believe, what to fear. Show us belief s wide skirt and the stitch that unravels fear's caul. You, old woman, blessed with blindness, can speak the language that tells us what only language can: how to see without pictures. Language alone protects us from the scariness of things with no names. Language alone is meditation.”
Toni Morrison, The Nobel Lecture In Literature, 1993

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