nil koken

“No one loses anyone, because no one owns anyone. That is the true experience of freedom: having the most important thing in the world without owning it”
― Paulo Coelho, Eleven Minutes

“The current of the world has its boundaries, otherwise it could have no existence, but its purpose is not shown in the boundaries which restrain it, but in its movement, which is towards perfection. The wonder is not that there should be obstacles and sufferings in this world, but that there should be law and order, beauty and joy, goodness and love. The idea of God that man has in his being is the wonder of all wonders. He has felt in the depths of his life that what appears as imperfect is the manifestation of the perfect; just as a man who has an ear for music realises the perfection of a song, while in fact he is only listening to a succession of notes. Man has found out the great paradox that what is limited is not imprisoned within its limits; it is ever moving, and therewith shedding its finitude every moment. In fact, imperfection is not a negation of perfectness; finitude is not contradictory to infinity: they are but completeness manifested in parts, infinity revealed within bounds.”
― Rabindranath Tagore, Sadhana

“When a man does not realize his kinship with the world, he lives in a prison-house whose walls are alien to him. When he meets the eternal spirit in all objects, then is he emancipated, for then he discovers the fullest significance of the world into which he is born; then he finds himself in perfect truth, and his harmony with the all is established. In India men are enjoined to be fully awake to the fact that they are in the closest relation to things around them, body and soul, and that they are to hail the morning sun, the flowing water, the fruitful earth, as the manifestation of the same living truth which holds them in its embrace.”
― Rabindranath Tagore, Sadhana

“The world must be romanticized. Only in that way will one rediscover its original senses. Romanticization is nothing less than a qualitative raising of the power of a thing . . . I romanticize something when I give the commonplace a higher meaning, the known the dignity of the unknown, and the finite the appearance of the infinite.”
― Novalis