Laila

“The single most important key to success is to be a good listener.”
― Kelly Wearstler

“Write about an empty birdcage"

Write about an empty birdcage. As in: write about your ribcage after
robbery. Use negative space to wind a song from the place on the
dresser where a music box isn’t. Write about the corners where the two
of you used to meet. Draw the intersections, arrow to the sidewalk
where her shoes aren’t near yours. Write about

an empty birdcage. As in: write about a hinged-open
jaw that is neither sigh nor scream. Use this to signify
EXIT. Make sure to describe the teeth, the glint of
metal deep down in the molars, the smell of breath after lack of
water. Make sure to draw this mouth a thirsty and human portrait of
what it means to be used up. Write about voice by writing

about how it feels when it’s painful to swallow. If you must put noise
in the scene
make it the sound of bird wings flapping in a cardboard box. Show us
an empty cage and give us the sound of confinement. Take hope and fold
it small as seed, then suck on it. Slow and selfish. Write about an
empty birdcage. Birdcage can read: building, structure, abandoned or
adorned. As in:

loop and tighten a vine of nostalgia around the room
you currently brick yourself into. Recreate the sweet of jasmine, but
mortar the door so it will not seep through. Write about an empty
birdcage. Replay us the scene. As in: she presses her pale cheek
against the window, as he turns his pinstriped back, slow and final.
Again. She presses her pale cheek against the window, and he turns
his pinstriped back, slow and

final. Again. She presses her pale
cheek against the window, as he turns his pinstriped back, slow and
final. Again. She presses her her pale cheek against the window,
as he turns his pinstriped back, slow and final.
Write about an empty birdcage. Write about the hinges.
Describe them as dry knuckles. Write

how I became a moan.”
― Elaina M. Ellis, Write About an Empty Birdcage

“They ask me how did you get here? Can’t you see it on my body? The Libyan desert red with immigrant bodies, the Gulf of Aden bloated, the city of Rome with no jacket. I hope the journey meant more than miles because all of my children are in the water. I thought the sea was safer than the land. I want to make love, but my hair smells of war and running and running. I want to lay down, but these countries are like uncles who touch you when you’re young and asleep. Look at all these borders, foaming at the mouth with bodies broken and desperate. I’m the colour of hot sun on the face, my mother’s remains were never buried. I spent days and nights in the stomach of the truck; I did not come out the same. Sometimes it feels like someone else is wearing my body.”
― Warsan Shire, Teaching My Mother How to Give Birth

“Political language … is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind. One cannot change this all in a moment, but one can at least change one’s own habits, and from time to time one can even, if one jeers loudly enough, send some worn-out and useless phrase – some jackboot, Achilles’ heel, hotbed, melting pot, acid test, veritable inferno or other lump of verbal refuse – into the dustbin where it belongs.”
― George Orwell