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The Zone of Interest
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Kingsley Amis
“And why did this Probert pretend to be so Welsh? I remembered that like me he’d been awarded nought for Welsh in School Certificate. Such a result, in that language, means an almost psychotic ignorance. It’s standard practice, of course, with writers of Probert’s allegiance to pretend to be wild valley babblers, woaded with pit-dirt and sheep-shit, thinking in Welsh the whole time and obsessed by terrible beauty, etc., but in fact they tend to come from comfortable middle-class homes, have a good urban education, never go near a lay preacher and couldn’t even order a pint in Welsh, falling back, as Probert had done earlier in the evening, on things like the Welsh for big Jesus. (And don’t tell me they can think in Welsh without knowing the language. Ever tried thinking in Bantu?)”
― Kingsley Amis, That Uncertain Feeling

Kingsley Amis
“Nothing short of physical handicap has ever made anybody turn over a new leaf.”
― Kingsley Amis, The Green Man

“On the drive over, Richards kept marveling at the transforming power of having a felony to commit. His brother looked more like his "normal" self now than at any time in the previous weeks, that is, like a calm, basically reasonable individual, a manly sort of fellow with a certain presence. They talked about Richards' daughter and along other noncontroversial lines. At the airport Richards stood by quietly, if nervously, while Joel transacted his business at the ticket counter, then passed a blue daypack, containing the kilo of cocaine among other things, through the security x-ray. Richards had planned to stop right here--just say good-bye, go outside and start to breathe again--but for some reason he followed his brother through the checkpoint. In silence they proceeded down a broad, sparsely peopled corridor; Joel, with his daypack slung casually over one shoulder, a cigarette occupying his other hand, had given Richards his fiddle case to carry.
Soon they became aware of a disturbance up ahead: a murmurous roar, a sound like water surging around the piles of a pier. The corridor forked and they found themselves in a broad lobby, which was jammed now with Hawaiian travelers, prospective vacationers numbering in the hundreds.

Just as they arrived, a flight attendant, dressed like a renter of cabanas on the beach at Waikiki, picked up a mike and made the final announcement to board. In response to which, those travelers not already on their feet, not already formed in long, snaky line three or four people abreast, arose. The level of hopeful chatter, of sweetly anticipatory human excitement, increased palpably, and Richards, whose response to crowds was generally nervous, self-defensively ironic, instinctively held back. But his brother plunged right in--took up a place at the front of the line, and from this position, with an eager, good-natured expression on his face, surveyed his companions.

Now the line started to move forward quickly. Richards, inching along on a roughly parallel course, two or three feet behind his brother, sought vainly for something comical to say, some reference to sunburns to come, Bermuda shorts, Holiday Inn luaus, and the like.

Joel, beckoning him closer, seemed to want the fiddle case back. But it was Richards himself whom he suddenly clasped, held to his chest with clumsy force. Wordlessly embracing, gasping like a couple of wrestlers, they stumbled together over a short distance full of strangers, and only as the door of the gate approached, the flight attendant holding out a hand for boarding passes, did Richards' brother turn without a word and let him go.”
― Robert Roper, Cuervo Tales

Kingsley Amis
“They went outside and stood where a sign used to say Taxi and now said Taxi/Tacsi for the benefit of Welsh people who had never seen a letter X before.”
― Kingsley Amis, The Old Devils

Peter De Vries
“It might even be said one pulls himself together to disintegrate. The scattered particles of self - love, wood thrush calling, homework sums, broken nerves, rag dolls, one Phi Betta Kappa key, gold stars, lamplight smiles, night cries, and the shambles of contemplation - are collected for a split moment like scraps of shrapnel before they explode.”
― Peter De Vries, The Blood of the Lamb

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