Bren

“Life is either getting a hand or giving a hand. Usually it’s both at the same time. ”
― Molly McAleer, The Alcoholic Bitch Who Ruined Your Life: Stories About Love, Death and Rehab

“If you’re the very luckiest kind of astronaut ever, your big payoff is that you get to visit a barren airless wasteland for five minutes, do some more math, and then go home—ice cream not guaranteed.”
― Lindy West, Shrill: Notes from a Loud Woman

“No crush will imprint itself on your hippocampus like your high-school crush, such that even seeing their name in print years later will make you catch your breath and recall a kind of beauty that has gone unrivaled by all the succeeding beauties.”
― Tim Murphy, Speech Team

“Musicians, especially those who are women, are often dogged by the assumption that they are singing from a personal perspective. Perhaps it is a carelessness on the audience’s part, or an entrenched cultural assumption that the female experience can merely encompass the known, the domestic, the ordinary. When a woman sings a nonpersonal narrative, listeners and watchers must acknowledge that she’s not performing as herself, and if she’s not performing as herself, then it’s not her who is wooing us, loving us. We don’t get to have her because we don’t know exactly who she is. An audience doesn’t want female distance, they want female openness and accessibility, familiarity that validates femaleness. Persona for a man is equated with power; persona for a woman makes her less of a woman, more distant and unknowable, and thus threatening. When men sing personal songs, they seem sensitive and evolved; when women sing personal songs, they are inviting and vulnerable, or worse, catty and tiresome.”
― Carrie Brownstein, Hunger Makes Me a Modern Girl: A Memoir