Sign in with Facebook
Kalina
is currently reading
progress:
(page 54 of 306)
"She tries to walk not too fast and not too slow. She doesn’t want to attract any attention. She pretends she doesn’t hear the whistles and catcalls and lewd comments. Sometimes she forgets and leaves her house in a skirt or a tank top because it’s a warm day and she wants to feel warm air on her bare skin. Before long, she remembers." — Apr 20, 2021 12:35AM
"She tries to walk not too fast and not too slow. She doesn’t want to attract any attention. She pretends she doesn’t hear the whistles and catcalls and lewd comments. Sometimes she forgets and leaves her house in a skirt or a tank top because it’s a warm day and she wants to feel warm air on her bare skin. Before long, she remembers." — Apr 20, 2021 12:35AM
progress:
(page 19 of 96)
"Alone, I watch the water move now like a clock someone is winding with a knife. I am starved for that easy taxonomy of Things Before. For the
years not likely to be cut open with scissors only to find proof of disease. Black hair spooling from the lungs of each month since. You’re gone & I collect fox fur by myself in every direction. You’re gone & I misname the trees." — Mar 29, 2021 11:31PM
"Alone, I watch the water move now like a clock someone is winding with a knife. I am starved for that easy taxonomy of Things Before. For the
years not likely to be cut open with scissors only to find proof of disease. Black hair spooling from the lungs of each month since. You’re gone & I collect fox fur by myself in every direction. You’re gone & I misname the trees." — Mar 29, 2021 11:31PM
“A dominant impulse on encountering beauty is to wish to hold on to it, to possess it and give it weight in one’s life. There is an urge to say, ‘I was here, I saw this and it mattered to me.”
― The Art of Travel
― The Art of Travel
“Everything was beautiful and nothing hurt.”
― Slaughterhouse-Five
― Slaughterhouse-Five
“It seemed an advantage to be traveling alone. Our responses to the world are crucially moulded by the company we keep, for we temper our curiosity to fit in with the expectations of others...Being closely observed by a companion can also inhibit our observation of others; then, too, we may become caught up in adjusting ourselves to the companion's questions and remarks, or feel the need to make ourselves seem more normal than is good for our curiosity.”
― The Art of Travel
― The Art of Travel
“Journeys are the midwives of thought. Few places are more conducive to internal conversations than a moving plane, ship or train. There is an almost quaint correlation between what is in front of our eyes and the thoughts we are able to have in our heads: large thoughts at times requiring large views, new thoughts new places. Introspective reflections which are liable to stall are helped along by the flow of the landscape. The mind may be reluctant to think properly when thinking is all it is supposed to do.
At the end of hours of train-dreaming, we may feel we have been returned to ourselves - that is, brought back into contact with emotions and ideas of importance to us. It is not necessarily at home that we best encounter our true selves. The furniture insists that we cannot change because it does not; the domestice setting keeps us tethered to the person we are in ordinary life, but who may not be who we essentially are.
If we find poetry in the service station and motel, if we are drawn to the airport or train carriage, it is perhaps because, in spite of their architectural compromises and discomforts, in spite of their garish colours and harsh lighting, we implicitly feel that these isolated places offer us a material setting for an alternative to the selfish ease, the habits and confinement of the ordinary, rooted world.”
― The Art of Travel
At the end of hours of train-dreaming, we may feel we have been returned to ourselves - that is, brought back into contact with emotions and ideas of importance to us. It is not necessarily at home that we best encounter our true selves. The furniture insists that we cannot change because it does not; the domestice setting keeps us tethered to the person we are in ordinary life, but who may not be who we essentially are.
If we find poetry in the service station and motel, if we are drawn to the airport or train carriage, it is perhaps because, in spite of their architectural compromises and discomforts, in spite of their garish colours and harsh lighting, we implicitly feel that these isolated places offer us a material setting for an alternative to the selfish ease, the habits and confinement of the ordinary, rooted world.”
― The Art of Travel
“And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned into a pillar of salt. So it goes.”
― Slaughterhouse-Five
― Slaughterhouse-Five
Kalina’s 2025 Year in Books
Take a look at Kalina’s Year in Books, including some fun facts about their reading.
37 books
|
21 friends
136 books
|
46 friends
947 books
|
60 friends
47 books
|
166 friends
54 books
|
93 friends
1 book
|
1 friend
190 books
|
9 friends
0 books
|
83 friends
More friends…
Favorite Genres
Polls voted on by Kalina
Lists liked by Kalina
