Erika

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The Seven Princip...
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Eight Dates: Esse...
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DBT Skills Traini...
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Rebecca Solnit
“Beauty is often spoken of as though it only stirs lust or admiration, but the most beautiful people are so in a way that makes them look like destiny or fate or meaning, the heroes of a remarkable story.”
Rebecca Solnit, A Field Guide to Getting Lost

Gabrielle Zevin
“Sam looked at her outstretched hand, which he knew as well as any hand except his own---the precise pattern of the lines that made up the grid of her palm, the slim fingers with the purplish veins at the knuckles, the particular creamy olive hue of her skin, her delicate wrist, pinkish, with a penumbral callus that must have come from Dov, the white gold bracelet she wore that he knew had been a gift from Freda on her twelfth birthday. How could she honestly think he wouldn't know about the handcuffs? He had spent hours sitting next to her, playing games and then making them, staring at her hands as her fingers flew across a keyboard or jabbed at a controller. Tell me I don't know you, Sam thought. Tell me I don't know you when I could draw both sides of this hand, your hand, from memory.”
Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

Gabrielle Zevin
“She had once read in a book about consciousness that over the years, the human brain makes an AI version of your loved ones. The brain collects data, and within your brain, you host a virtual version of that person. Upon the person’s death, your brain still believes the virtual person exists, because, in a sense, the person still does. After a while, though, the memory fades, and each year, you are left with an increasingly diminished version of the AI you had made when the person was alive.”
Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

Gabrielle Zevin
“Why wouldn’t you tell someone you loved them? Once you loved someone, you repeated it until they were tired of hearing it. You said it until it ceased to have meaning. Why not? Of course, you goddamn did.”
Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

Gabrielle Zevin
“The alternative to appropriation is a world in which artists only reference their own cultures."

"That's an oversimplification of the issue."

"The alternative to appropriation is a world where white European people make art about white European people with only white European references in it. Swap African or Asian or Latin or whatever culture you want for European. A world where everyone is blind and deaf to any culture or experience that is not their own. I hate that world don't you? I'm terrified of that world and I don't want to live in a that world, and as a mixed race person, I literally don't exist in it. My dad, who I barely knew, was Jewish. My mom was an American-born Korean. I was raised by Korean immigrant grandparents in Korea Town Los Angeles and as any mixed race person will tell you-- to be half of two things is to be whole of nothing.”
Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

year in books
Ted Bus...
241 books | 195 friends

Bill Wu
847 books | 30 friends

Derek O...
1,410 books | 244 friends

Nish
1,221 books | 723 friends

Hannah
510 books | 61 friends

Genevie...
40 books | 359 friends

Dale
186 books | 168 friends

Alicia
668 books | 127 friends

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