Harry

“The Hassidim tell a story about the world to come that says everything there will be just as it is here. [...] Everything will be as it is now, just a little different.”
― Ben Lerner, 10:04

“Not the shattered or slashed works to which Alena thrilled, but those objects in the archive that both were and weren't different moved me: they had been redeemed, both in the sense that the fetish had been converted back into cash, the claim paid out, but also in the messianic sense of being saved from something, saved for something. An art commodity that had been exorcised (and survived the exorcism) of the fetishism of the market was to me a utopian readymade–an object for or from a future where there was some other regime of value than the tyranny of price.”
― Ben Lerner, 10:04

“Although he devotes hours of each day to his new discipline, he finds its first premise, as enunciated in the Communications 101 handbook, preposterous: 'Human society has created language in order that we may communicate our thoughts, feelings and intentions to each other.' His own opinion, which he does not air, is that the origins of speech lie in song, and the origins of song in the need to fill out with sound the overlarge and rather empty human soul.”
― Coetzee, Disgrace (99) by Coetzee, J M [Paperback (2000)]

“Whenever I walked across the Manhattan Bridge, I remembered myself as having crossed the Brooklyn Bridge. This is because you can see the latter from the former, and the latter is more beautiful. [...] But by the time I arrived in Brooklyn to meet Alex, I was starting to misremember crossing in the third person, as if I had somehow watched myself walking beneath the Brooklyn Bridge's Aeolian cables.”
― Ben Lerner