Sophie

“And though it has been in no way a romantic evening, she embraces me and this time emanates a warmth I’m not familiar with. I am so used to imagining everything happening the way it occurs in movies, visualizing things falling somehow into the shape of events on a screen, that I almost hear the swelling of an orchestra, can almost hallucinate the camera panning low around us, fireworks bursting in slow motion overhead, the seventy-millimeter image of her lips parting and the subsequent murmur of “I want you” in Dolby sound. But my embrace is frozen and I realize, at first distantly and they with greater clarity, that the havoc raging inside me is gradually subsiding and she is kissing me on the mouth and this jars me back into some kind of reality and I lightly push her away. She glances up at me fearfully.
“Listen, I’ve got to go,” I say, checking my Rolex. “I don’t want to miss… Stupid Pet Tricks.”
― Bret Easton Ellis, American Psycho

“Increasingly, life seems fractured, as if his past had been lived by someone else. It isn't just that the place he now resides in and the people around him are poles apart, it's like he himself is an entirely different person. The overriding obsessions and foibles of the man he'd once been now feel utterly ludicrous to the current resident of his mind and body. The only bridge is rage; when angered he can taste his old self. But in California, the way he is currently living his life, few things can vex him to that extent. But that's over there.”
― Irvine Welsh, The Blade Artist

“History repeated itself. The 'don't do the things I did' mantra was tiresome pish. The best way to make sure your children don't grow up as cunts is not to be one yourself - or not to let them SEE you being one. This is easier as a sober artist in Santa Barbara than as an alcoholic jailbird in Leith.”
― Irvine Welsh, The Blade Artist

“Do you want to know how to write a song? Songwriting is about counterpoint. Counterpoint is the key. Putting two disparate images beside each other and seeing which way the sparks fly. Like letting a small child in the same room as, I don’t know, a Mongolian psychopath or something, and just sitting back and seeing what happens. Then you send in a clown, say, on a tricycle and again you wait and you watch. And if that doesn’t do it, you shoot the clown.”
― Nick Cave