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A Short History o...
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Aug 09, 2026 06:57AM

 
Never Let Me Go
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by Kazuo Ishiguro (Goodreads Author)
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Aug 09, 2026 06:53AM

 
Our American Isra...
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Elena Ferrante
“I realized in a flash that the memory was already literature and that perhaps Lila was right: my book—even though it was having so much success—really was bad, and this was because it was well organized, because it was written with obsessive care, because I hadn’t been able to imitate the disjointed, unaesthetic, illogical, shapeless banality of things.”
Elena Ferrante, The Story of the Lost Child

Carys Davies
“The compass the fur trader had given him he had no use for because he had the music of the river and the bright configuration of the stars, but he carried it in his hand because he liked it for its beauty and the suspicion that it had some secret power of its own the fur trader wasn’t telling him about; that it was alive in some way. He liked the way the tiny needle quivered beneath the clear covering, like his own heart when he was out stalking or waiting with a hook for a fish to bite.”
Carys Davies, West

David Foster Wallace
“To be a mass tourist, for me, is to become a pure late-date American: alien, ignorant, greedy for something you cannot ever have, disappointed in a way you can never admit. It is to spoil, by way of sheer ontology, the very unspoiledness you are there to experience, It is to impose yourself on places that in all non-economic ways would be better, realer, without you. It is, in lines and gridlock and transaction after transaction, to confront a dimension of yourself that is as inescapable as it is painful: As a tourist, you become economically significant but existentially loathsome, an insect on a dead thing.”
David Foster Wallace, Consider the Lobster and Other Essays

Shirley Jackson
“Around her the trees and wild flowers, with that oddly courteous air of natural things suddenly interrupted in their pressing occupations of growing and dying, turned toward her with attention, as though, dull and imperceptive as she was, it was still necessary for them to be gentle to a creation so unfortunate as not to be rooted in the ground, forced to go from one place to another, heart-breakingly mobile.”
Shirley Jackson, The Haunting of Hill House

Shirley Jackson
“No Human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice.”
Shirley Jackson, The Haunting of Hill House

40148 Catching up on Classics (and lots more!) — 16542 members — last activity 24 minutes ago
The world is made up of two kinds of people: first, those who love classics, and second, those who have not yet read a classic. Be bold and join us as ...more
124217 Golden Age of Hollywood Book Club — 445 members — last activity 16 hours, 59 min ago
This reading group is for lovers of classic Hollywood. We discuss the films, crews, actors, designers, and books that cover the Golden Age of Tinsel ...more
153021 Never too Late to Read Classics — 12571 members — last activity 1 hour, 24 min ago
NTLTRC will help you find your love of Classcis! Find intrigue, well-developed characters, prose that is complex and beautiful, compelling stories tha ...more
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Are you searching for the NEXT best book? Are you willing to kiss all your spare cash goodbye? Are you easily distracted by independent bookshops, bi ...more
376 Literary Fiction by People of Color — 13543 members — last activity Aug 09, 2026 03:01PM
This can include genre fiction that is literary (e.g. speculative fiction, historical fiction, etc.), as long as it's written by a person of color (Af ...more
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