Z.

“Around her the trees and wild flowers, with that oddly courteous air of natural things suddenly interrupted in their pressing occupations of growing and dying, turned toward her with attention, as though, dull and imperceptive as she was, it was still necessary for them to be gentle to a creation so unfortunate as not to be rooted in the ground, forced to go from one place to another, heart-breakingly mobile.”
― Shirley Jackson, The Haunting of Hill House

“To be a mass tourist, for me, is to become a pure late-date American: alien, ignorant, greedy for something you cannot ever have, disappointed in a way you can never admit. It is to spoil, by way of sheer ontology, the very unspoiledness you are there to experience, It is to impose yourself on places that in all non-economic ways would be better, realer, without you. It is, in lines and gridlock and transaction after transaction, to confront a dimension of yourself that is as inescapable as it is painful: As a tourist, you become economically significant but existentially loathsome, an insect on a dead thing.”
― David Foster Wallace, Consider the Lobster and Other Essays

“The compass the fur trader had given him he had no use for because he had the music of the river and the bright configuration of the stars, but he carried it in his hand because he liked it for its beauty and the suspicion that it had some secret power of its own the fur trader wasn’t telling him about; that it was alive in some way. He liked the way the tiny needle quivered beneath the clear covering, like his own heart when he was out stalking or waiting with a hook for a fish to bite.”
― Carys Davies, West

“She was like the full moon when it crouches behind the forest and the branches scribble on its face.”
― Elena Ferrante, Those Who Leave and Those Who Stay