Claudia B
https://www.fawnandflame.com
“My life was life a dusty shelf in a old bookstore, where every volume was exactly where it had been for ages, the only discernible change being that my body has aged another ten ages.”
― Breasts and Eggs
― Breasts and Eggs
“April yields to March, then February, and meanwhile Iris reads of refusals to speak, of unironed clothes, of arguments with neighbours, of hysteria, of unwashed dishes and unswept floors, of never wanting marital relations or wanting them too much or not enough or not in the right way or seeking them elsewhere. Of husbands at the end of their tethers, of parents unable to understand the women their daughters have become, of fathers who insist, over and over again, that she used to be such a lovely little thing. Daughters who just don’t listen. Wives who one day pack a suitcase and leave the house, shutting the door behind them, and have to be tracked down and brought back.”
― The Vanishing Act of Esme Lennox
― The Vanishing Act of Esme Lennox
“If families resemble trees, as they say, arborescent structures with entangled roots and individual branches jutting out at awkward angles, family traumas are like thick, translucent resin dripping from a cut in the bark. They trickle down generations.”
― The Island of Missing Trees
― The Island of Missing Trees
“I take a longer look at the words on her headstone.
Brave, kind, loyal, sweet, loving, graceful, strong, thoughtful, funny, genuine, hopeful, playful, insightful, and on and on…
Was she, though? Was she any of those things? The words make me angry. I can’t look at them any longer.
Why do we romanticize the dead? Why can’t we be honest about them?”
― I'm Glad My Mom Died
Brave, kind, loyal, sweet, loving, graceful, strong, thoughtful, funny, genuine, hopeful, playful, insightful, and on and on…
Was she, though? Was she any of those things? The words make me angry. I can’t look at them any longer.
Why do we romanticize the dead? Why can’t we be honest about them?”
― I'm Glad My Mom Died
“Because when suffering is unavoidable, the only thing one gets to choose is the backdrop. Crying one’s eyes out beside the Seine is vastly better than crying one’s eyes out while traipsing around Hammersmith.”
― Sorrow and Bliss
― Sorrow and Bliss
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Claudia’s 2025 Year in Books
Take a look at Claudia’s Year in Books, including some fun facts about their reading.
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