“Rorschach’s dissertation, which he finished in 1912, set out to define the physiological pathways that make empathy in Vischer’s sense possible. “On ‘Reflex Hallucinations’ and Related Phenomena” may be a brain-numbing title in English, but the subject was nothing less than the connection between what we see and how we feel. Reflexhalluzination was a technical psychiatric”
― The Inkblots: Hermann Rorschach, His Iconic Test, and The Power of Seeing
― The Inkblots: Hermann Rorschach, His Iconic Test, and The Power of Seeing
“Vischer’s idea of a back and forth between projecting the self and internalizing the world—what he called a “direct continuation of the external sensation into an internal one”—influenced generations of philosophers, psychologists, and aesthetic theorists. To describe his radical new concept, he used the German word Einfühlung, literally “feeling-in.” When psychological works influenced by Vischer began to be translated into English in the early twentieth century, the language needed a new term for this new idea, and translators invented the word empathy. It is pretty shocking to realize that empathy is barely a hundred years old, about the same age as X-rays and lie-detector tests.”
― The Inkblots: Hermann Rorschach, His Iconic Test, and The Power of Seeing
― The Inkblots: Hermann Rorschach, His Iconic Test, and The Power of Seeing
“It also comes as a surprise that the term was invented not to talk about altruism or acts of kindness, but to explain how we can enjoy a sonata or a sunset. Empathy, for Vischer, was creative seeing, reshaping the world so as to find ourselves reflected in it. In”
― The Inkblots: Hermann Rorschach, His Iconic Test, and The Power of Seeing
― The Inkblots: Hermann Rorschach, His Iconic Test, and The Power of Seeing
“From Binet, the idea of measuring imagination with inkblots spread to a string of American intelligence-testing pioneers and educators—Dearborn, Sharp, Whipple, Kirkpatrick. It reached Russia as well, where a psychology professor named Fyodor Rybakov, unaware of the Americans’ work, included a series of eight blots in his Atlas of the Experimental-Psychology Study of Personality (1910). It was an American, Guy Montrose Whipple, who called his version an “ink-blot test” in his Manual of Mental and Physical Tests (also 1910)—this is why the Rorschach cards would come to be called “inkblots” when American psychologists took them”
― The Inkblots: Hermann Rorschach, His Iconic Test, and The Power of Seeing
― The Inkblots: Hermann Rorschach, His Iconic Test, and The Power of Seeing
“Rorschach knew Binet’s work and was familiar with Binet’s own inspiration—Leonardo da Vinci, who in his “Treatise on Painting” described throwing paint at a wall and looking at the stains for inspiration.”
― The Inkblots: Hermann Rorschach, His Iconic Test, and The Power of Seeing
― The Inkblots: Hermann Rorschach, His Iconic Test, and The Power of Seeing
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