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“Before Schopenhauer, the artist was generally seen as someone who manufactured things – things that were admittedly difficult to manufacture, and of a special order, such as concertos, sculptures and plays – but it was still a matter of manufacture. This is, of course, a legitimate point of view – and Schopenhauer would be the last person to overlook the difficulties in conceiving and executing a work of art. (People these days sometimes try to get back to this idea in order to minimize art, to make it a little more harmless, as when novelists are considered as mere story tellers, and contemporary artists chatter about their craft.) But the original point, the generating point of all creation, is fundamentally quite different; it consists in an innate (and thus not teachable) disposition for a passive and, as it were, dumbstruck contemplation of the world. The artist is always someone who might just as well do nothing but immerse himself contentedly in the world and in the vague daydream associated with it. Today, when art has become accessible to the masses and generates considerable financial flows, this has very comical consequences. Thus, the ambitious and enterprising individual with a range of social skills who nurses the ambition to have a career in art will rarely succeed; the palm will always go to pathetic blob-like folk who everyone initially thought were just losers.”
― Michel Houellebecq, In the Presence of Schopenhauer