Sophie

“Any kind of art that seems to be just about normal people, it’s judged less by how good of a work of art it is, and more by how much the critic thinks that that is true to life. Which, you know, I think might be why something like Boyhood was so hugely praised, whereas something like Margaret was a little unfairly marginalized. There were people who said, “OK, well, I don’t relate to these characters,” or, “I think the way they speak is off from real-life” as opposed to saying, “Is what’s being expressed in it—is the emotional content true to life?” You can just look on Youtube and see clips into people’s real life very easily, so I’m actually more excited by that feeling of, I’m being immersed completely in this one guy’s view of the world. But, obviously, I get more excited talking about other people’s work than my own.”
― Adrian Tomine

“I get the impression from some people that unless they get direct access to characters’ thoughts and realizations, either through thought balloons or narrations or some sort of showy action, then those thoughts and realizations never existed. Some of the story hinges on believing in the reality of it, that if someone is sitting silently in a chair, they’re not just sitting there completely brain-dead, that there is stuff happening internally that we as the observer don’t have access to.”
― Adrian Tomine

“I think it’s nice if someone respects whatever their endeavor is, whether it’s dance or art or stand-up comedy, to not assume that they’re gonna be an overnight sensation, that it’s this great craft that takes a lot of hard work to get good at.”
― Adrian Tomine

“The physical and mental impairments caused by one night of bad sleep dwarf those caused by an equivalent absence of food or exercise.”
― Matthew Walker, Why We Sleep: The New Science of Sleep and Dreams