“When Egil was twelve years old, he was grown so big that there were but few men howso large and strong that he could not overcome in games. In his twelfth winter he was often at games. Thord Grani's son was then twenty years old; he was very strong. As the winter wore on, if often chanced that the two, Egil and Thord, were matched against Skallagrim. And once in the winter it so befell that there was ball-play at Borg, southwards in Sandvik. Thord and Egil were set against Skallagrim in the game; and he became weary before them, so that they had the best of it. But in the evening after sunset it began to go worse with Egil and his partner. Skallagrim then became so strong and he caught up Thord and dashed him down so violently that he was all bruised and died on the spot. Then he seized Egil.
Now there was a handmaid of Skallagrim's named Thorgerdr Brak, who had nursed Egil when a child; she was a big woman, strong as a man, and of magic cunning. Said Brak:
'Dost thou turn they shape-strength, Skallagrim, against thy son?'
Whereat Skallagrim let Egil loose, but clutched at her. She broke away and took to her heels with Skallagrim after her. So went they to the utmost point of Digra-ness. Then she leapt out from the rock into the water. Skallagrim hurled after her a great stone, which struck her between the shoulders, and neither ever came up again. The water there is now called Brakar-sound.
But afterwards, in the evening, when they came home to Borg, Egil was very angry. Skallagrim and everybody else were set at table, but Egil had not yet come to his place. He went into the fire-hall, and up to the man who there had the overseeing of work and the management of moneys for Skallagrim, and was most dear to him. Egil dealt him his deathblow, then went to his seat. Skallagrim spoke not a word about it then, and thenceforward the matter was kept quiet. But father and son exchanged no word good or bad, and so that winter passed.”
― Egil's Saga
Now there was a handmaid of Skallagrim's named Thorgerdr Brak, who had nursed Egil when a child; she was a big woman, strong as a man, and of magic cunning. Said Brak:
'Dost thou turn they shape-strength, Skallagrim, against thy son?'
Whereat Skallagrim let Egil loose, but clutched at her. She broke away and took to her heels with Skallagrim after her. So went they to the utmost point of Digra-ness. Then she leapt out from the rock into the water. Skallagrim hurled after her a great stone, which struck her between the shoulders, and neither ever came up again. The water there is now called Brakar-sound.
But afterwards, in the evening, when they came home to Borg, Egil was very angry. Skallagrim and everybody else were set at table, but Egil had not yet come to his place. He went into the fire-hall, and up to the man who there had the overseeing of work and the management of moneys for Skallagrim, and was most dear to him. Egil dealt him his deathblow, then went to his seat. Skallagrim spoke not a word about it then, and thenceforward the matter was kept quiet. But father and son exchanged no word good or bad, and so that winter passed.”
― Egil's Saga
“As long as the reason of man continues fallible, and he is at liberty to exercise it, different opinions will be formed. As long as the connection subsists between his reason and his self-love, his opinions and his passions will have a reciprocal influence on each other; and the former will be objects to which the latter will attach themselves.”
― The Federalist
― The Federalist
“As things went from bad to worse all men came to learn by experience that man's innate wickedness knows no limit: when it feeds on the knowledge of the past, and when the licence which impunity bestows encourages it to victimise all whom it encounters, it seems to swell inevitably to such proportions that it is not even possible for the minds of the sufferers to grasp its immensity.”
― The Secret History
― The Secret History
“I know a bank where the wild thyme blows,
Where oxlips and the nodding violet grows,
Quite over-canopied with luscious woodbine,
With sweet musk-roses and with eglantine:
There sleeps Titania sometime of the night,
Lulled in these flowers with dances and delight.”
― A Midsummer Night’s Dream
Where oxlips and the nodding violet grows,
Quite over-canopied with luscious woodbine,
With sweet musk-roses and with eglantine:
There sleeps Titania sometime of the night,
Lulled in these flowers with dances and delight.”
― A Midsummer Night’s Dream
“The novel is ultimately about a frustrated, stunted identity: its main character—or uncentered polyphonous narrator—is an imbunche, a thwarted, mutilated man enclosed within various prisons both chosen and imposed, and he struggles to be seen and to communicate in a world that shifts from realistic to monstrous to sordid. He ultimately becomes the old crones’ swaddled baby, reduced to a toy, to memory and myth, to a grunt and a scream. Donoso,”
― The Obscene Bird of Night: unabridged, centennial edition
― The Obscene Bird of Night: unabridged, centennial edition
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