Nightshade

“In Europe, what seems to bond toads and toadstools strongly is their shared role as potentially toxic "agents of death", and their close associations with magic and the supernatural. In Christian thought, both were seen to represent the dark and evil threads of nature's tapestry. Both appeared in late medieval art in representations of hell, particularly in the work of Flemish artists.”
― Adrian Morgan

“One recurring characteristic of the traditional British magical practitioner, whether they be labelled 'black witch', 'white witch', 'conjuror', 'cunning man', or 'wise woman' etc. is the presence of a familiar spirit; who it seems was a primary source of the practitioners occult power and magical knowledge.”
― Gemma Gary, Silent as the Trees: Devonshire Witchcraft, Folklore & Magic

“It was not beauty at all that she wanted, or depressed though she was, she would have bought a ticket to somewhere or other upon the Metropolitan railway and gone out to see the recumbent autumnal graces of the country-side. Her mind was groping after something that eluded her experience, a something that was shadowy and menacing, and yet in some way congenial; a something that lurked in waste places, that was hinted at by the sound of water gurgling through deep channels and by the voices of birds of ill-omen. Loneliness, dreariness, aptness for arousing a sense of fear, a kind of ungodly hallowedness - these were the things that called her thoughts away from the comfortable fireside.”
― Sylvia Townsend Warner, Lolly Willowes

“I see wild birds, and impulses wilder than the wildest birds strike from my wild heart.”
― Virginia Woolf, The Waves