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Esther Perel
“In my work, I see couples who no longer wait for an invitation into their partner's interiority, but instead demand admittance, as if they are entitled to unrestricted access into the private thoughts of their loved ones”
Esther Perel, Mating in Captivity: Reconciling the Erotic and the Domestic

Haruki Murakami
“Whenever I meet people for the first time, I get them to talk for ten minutes. Then I size them up from the exact opposite perspective of all they’ve told me. Do you think that’s crazy?
“No,” I said, shaking my head, “I’d guess your method works quite well.”
Haruki Murakami, A Wild Sheep Chase

Haruki Murakami
“Once you make up your mind to get rid of something, there’s very little you can’t discard. No – not very little. Once you put your mind to it, there’s nothing you can’t get rid of. And once you start tossing things out, you find yourself wanting to get rid of everything. It’s as if you’d gambled away almost all your money and decided, What the hell, I’ll bet what’s left. Too much trouble to cling to the rest”
Haruki Murakami, Blind Willow, Sleeping Woman

Haruki Murakami
“You know what I think?" she says. "That people's memories are maybe the fuel they burn to stay alive. Whether those memories have any actual importance or not, it doesn't matter as far as the maintenance of life is concerned. They're all just fuel. Advertising fillers in the newspaper, philosophy books, dirty pictures in a magazine, a bundle of ten-thousand-yen bills: when you feed 'em to the fire, they're all just paper. The fire isn't thinking 'Oh, this is Kant,' or 'Oh, this is the Yomiuri evening edition,' or 'Nice tits,' while it burns. To the fire, they're nothing but scraps of paper. It's the exact same thing. Important memories, not-so-important memories, totally useless memories: there's no distinction--they're all just fuel.”
Haruki Murakami, After Dark

Haruki Murakami
“One more nice thing about short stories is that you can create a story out of the smallest details -an idea that springs up in your mind, a word, an image, whatever. In most cases it's like jazz improvisation, with the story taking me where it wants to. And another good point is that with short stories you don't have to worry about failing. If the idea doesn't work out the way you hoped it would, you just shrug your shoulders and tell yourself that they can't all be winners. Even with masters of the genre like F. Scott Fitzgerald and Raymond Carver -even Anton Chekhov- not every short story is a masterpiece. I find this a great comfort. You can learn from your mistakes (in other words, those you can't call complete success) and use that in the next story you write.”
Haruki Murakami, Blind Willow, Sleeping Woman

152441 Book Riot's Read Harder Challenge — 26900 members — last activity 14 hours, 35 min ago
An annual reading challenge to to help you stretch your reading limits and explore new voices, worlds, and genres! The challenge begins in January, bu ...more
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