Volodymyr

“I wanted very much to learn to draw, for a reason that I kept to myself: I wanted to convey an emotion I have about the beauty of the world. It's difficult to describe because it's an emotion. It's analogous to the feeling one has in religion that has to do with a god that controls everything in the whole universe: there's a generality aspect that you feel when you think about how things that appear so different and behave so differently are all run "behind the scenes" by the same organization, the same physical laws. It's an appreciation of the mathematical beauty of nature, of how she works inside; a realization that the phenomena we see result from the complexity of the inner workings between atoms; a feeling of how dramatic and wonderful it is. It's a feeling of awe — of scientific awe — which I felt could be communicated through a drawing to someone who had also had this emotion. It could remind him, for a moment, of this feeling about the glories of the universe.”
― Richard P. Feynman, Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character

“Among the maniacs things were more cheerful, a group of them sat by iron beds, playing on the springs like harps and singing in chorus; “We ain’t got no ma or pa, ’cause we is au-tom-a-ta,” also “Ro, ro, ro your bot, gently down the stream,” and so forth.”
― Stanisław Lem, Mortal Engines

“When, after infinities of chaos, the first men came, the Great Old Ones spoke to the sensitive among them by moulding their dreams; for only thus could Their language reach the fleshly minds of mammals.”
― H.P. Lovecraft, H. P. Lovecraft: The Complete Fiction

“A pulpy, tentacled head surmounted a grotesque and scaly body with rudimentary wings; but it was the general outline of the whole which made it most shockingly frightful. Behind the figure was a vague suggestion of a Cyclopean architectural background.”
― H.P. Lovecraft, H. P. Lovecraft: The Complete Fiction