Sinulienka

“Why were we expected to speak English perfectly while praising Americans for even the clumsiest dribble of Chinese?”
― Qian Julie Wang, Beautiful Country

“Miriam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad, Miriam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate belongings.”
― Khaled Hosseini, A Thousand Splendid Suns

“You know the word mingyun, right? Your personal destiny in this life? Think about the two characters that make up the word. Ming is the inherent nature of your life as given to you by the gods. It's a destiny that can't be changed, the way the innate characteristics you are born with can't be changed. But what is yun? Yun is where flexibility comes in. Yun is fortune that changes with the seasons of the universe but can also turn depending on the actions you take, the choices you make. Together ming and yun make up a river, one that wants to carry you to a particular destination but moves fluidly, possibly diverging if a tree falls along its path or a large rainfall swells its banks. You, too, can change the path of the river; you can even swim upstream if you want to. Just expect it will be tiring, not as easy as moving with the current.”
― Karissa Chen, Homeseeking

“Learn this now and learn it well. Like a compass facing north, a man’s accusing finger always finds a woman. Always. You remember that, Mariam.”
― Khaled Hosseini, A Thousand Splendid Suns