Nuzaifa
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Nuzaifa

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Brotherless Night
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by V.V. Ganeshananthan (Goodreads Author)
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The Burning God
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by R.F. Kuang (Goodreads Author)
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Cut From the Same...
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Cho Nam-Joo
“Some demeaned it as “bumming around at home,” while others glorified it as “work that sustains life,” but none tried to calculate its monetary value. Probably because the moment you put a price on something, someone has to pay.”
Cho Nam-Joo, Kim Jiyoung, Born 1982

Ocean Vuong
“But why can't the language for creativity be the language of regeneration? You killed that poem, we say. You're a killer. You came into that novel guns blazing. I am hammering this paragraph, I am banging them out, we say. I owned that workshop. I shut it down. I crushed them. We smashed the competition. I'm wrestling with the muse. The state, where people live, is a battleground state. The audience a target audience. "Good for you, man" a man once said to me at a party, "you're making a killing with poetry. You're knockin' em dead.”
Ocean Vuong, On Earth We're Briefly Gorgeous

Ocean Vuong
“From then on, I would fill in our blanks, our silences, stutters, whenever I could. I code switched. I took off our language and wore my English, like a mask, so that others would see my face, and therefore yours.”
Ocean Vuong, On Earth We're Briefly Gorgeous

Ocean Vuong
“In a world myriad as ours, the gaze is a singular act: to look at something is to fill your whole life with it, if only briefly.”
Ocean Vuong, On Earth We're Briefly Gorgeous

Cho Nam-Joo
“The world had changed a great deal, but the little rules, contracts, and customs had not, which meant the world hadn’t actually changed at all. She mulled over Daehyun’s idea that registering as legally married changes the way you feel about each other. Do laws and institutions change values, or do values drive laws and institutions?”
Cho Nam-Joo, Kim Jiyoung, Born 1982

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