Andi Gunther

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Le Jour où je n’é...
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Sensing the Self:...
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  (page 102 of 352)
"Seriously one of the best things I’ve read in a while, great analysis on sociocultural effects of self estrangement and humanizing the disorder/‘other-self’ & the reasons for its development" May 14, 2025 05:22AM

 
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Maggie Nelson
“199. For to wish to forget how much you loved someone—and then, to actually forget—can feel, at times, like the slaughter of a beautiful bird who chose, by nothing short of grace, to make a habitat of your heart.”
Maggie Nelson, Bluets

Hélène Cixous
“Censor the body and you censor breath and speech at the same time. Write yourself. Your body must be heard.”
Helene Cixous, The Laugh of the Medusa

Hélène Cixous
“By writing her self, woman will return to the body which has been more than confiscated from her, which has been turned into the uncanny stranger on display - the ailing or dead figure, which so often turns out to be the nasty companion, the cause and location of inhibitions. Censor the body and you censor breath and speech at the same time.
Write your self. Your body must be heard. Only then will the immense resources of the unconscious spring forth.”
Hélène Cixous, The Laugh of the Medusa

Maggie Nelson
“and I am missing you in the way
that spreads. I'm trying

to wear my freedom like
an amulet, make it something

I'll never forget.”
Maggie Nelson, Something Bright, Then Holes

Maggie Nelson
“I want you to know, if you ever read this, there was a time when I would rather have had you by my side than any one of these words; I would rather have had you by my side than all the blue in the world.

But now you are talking as if love were a consolation. Simone Weil warned otherwise. 'Love is not consolation,' she wrote. 'It is light.'

All right then, let me try to rephrase. When I was alive, I aimed to be a student not of longing but of light.”
Maggie Nelson, Bluets

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