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Sudha Murty
“The original in Hindi is given below: Papanashini Ganga sabse badi Toh Ganga kaise badi? Woh to Prithvi par padi Prithvi sabse badi Toh Prithvi kaise badi? Woh to Sesha Naga ke sar par khadi Sesha sabse bada Toh Sesha kaise bada? Woh to Shankar gale mein pada Toh Shankar sabse bada Shankar kaise bada? Woh to Kailash shikhar par khada Toh Kailash sabse bada Kailash kaise bada? Woh to Ravana ko lad khada Toh Ravana sabse bada Ravana kaise bada? Woh to Ramabana se gira Toh Rama sabse bada Rama kaise bada? Woh to bhakta hridaye mein khada Toh bhakta sabse bada Bhakta kaise bada? Woh to Rama nama ko pada Toh nama sabse bada”
Sudha Murty, The Sage with Two Horns

David Stabler
“He saw El Lagartijo—“The Lizard”—one of the most famous bullfighters in Spain, and he met Cara Ancha, the celebrated Andalusian matador. When he was only nine years old, Pablo completed his first painting, Le Picador, a portrait of a man riding a horse in the bullring. Two years later, Pablo’s family moved to a new town, La Coruña, on Spain’s Atlantic coast. Don José got a job as an art teacher at the local college. Even though he was much younger than the other students, Pablo enrolled in his father’s class. He also took courses in figure drawing and landscape painting. By the time he turned thirteen, Pablo’s skill level had surpassed his father’s. Don José was so impressed that he handed his son his brushes and vowed never to paint again. When Pablo was fourteen years old, his family moved again, this time to Barcelona, where Pablo enrolled in the prestigious School of Fine Arts. His teachers quickly noticed his skills and allowed him to skip two grades. But just as in Málaga, Pablo had trouble adhering to the school’s rules. Before long he was back to his old tricks, cutting class so that he could wander the city streets, sketching interesting scenes that he observed along the way. Pablo repeated this behavior at his next school, the Royal Academy of San Fernando in Madrid. This time, Pablo’s father refused to tolerate his son’s antics and stopped his allowance. At age sixteen, Pablo found himself on his own for the first time, forced to support himself on nothing but his artistic ability. It has been said that the older Pablo grew, the more childlike his art became. During some periods he painted almost entirely in blue or depicted only circus performers.”
David Stabler, Kid Legends: True Tales of Childhood from the Books Kid Artists, Kid Athletes, Kid Presidents, and Kid Authors

David Stabler
“Pablo Picasso entered the world howling. Seconds after he was born, one of the hospital physicians, his uncle Don Salvador, leaned down and blew a huge cloud of cigar smoke in the newborn’s face. The baby grimaced and bellowed in protest—and that’s how everyone knew he was healthy and alive. At that time, doctors were allowed to smoke in delivery rooms, but this little infant would have none of it. Even at birth, he refused to accept things as they had always been done. The baby was named Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Martyr Patricio Clito Ruíz y Picasso—whew! He was known to his friends as Pablito, a nickname meaning “little Pablo,” and he learned to draw before he could walk. His first word was piz, short for lápiz, the Spanish word for pencil. It was an instrument that would soon become his most prized possession. Pablo inherited his love of art from his father, Don José Ruiz y Blasco, a talented painter. Don José’s favorite subjects were the pigeons that flocked in the plaza outside the Picassos’ home in Málaga, a town on the southern coast of Spain. Sometimes he would allow Pablo to finish paintings for him. One of Pablo’s earliest solo artworks was a portrait of his little sister, which he painted with egg yolk. But painting was not yet his specialty. Drawing was. Pablo mostly liked to draw spirals. When people asked him why, he explained that they reminded him of churros, the fried-dough pastries sold at every streetcorner stand in Málaga. While other kids played underneath trees in the Plaza de la Merced, Pablo stood by himself scratching circles in the dirt with a stick.”
David Stabler, Kid Legends: True Tales of Childhood from the Books Kid Artists, Kid Athletes, Kid Presidents, and Kid Authors

Amish Tripathi
“Meluha, the obsession with water is shown to arise due to its cleansing of the toxic sweat and urine triggered by consuming the Somras. Historians have also marvelled at the level of sophisticated standardisation in the Indus Valley Civilisation. One of the examples of this was the bricks, which across the entire civilisation, had similar proportions and specifications Holi: Festival of colours Howdah: Carriage placed on top of elephants Indra: The God of the sky; believed to be the King of the gods Jai Guru Vishwamitra: Glory to the teacher Vishwamitra”
Amish Tripathi, The Oath of the Vayuputras

Amish Tripathi
“Glossary Agni: God of fire Agnipariksha: A trial by fire Angaharas: Movement of limbs or steps in a dance Ankush: Hook-shaped prods used to control elephants Annapurna: The Hindu Goddess of food, nourishment and plenty; also believed to be a form of Goddess Parvati Anshan: Hunger. It also denotes voluntary fasting. In this book, Anshan is the capital of the kingdom of Elam Apsara: Celestial maidens from the court of the Lord of the Heavens – Indra; akin to Zeus/Jupiter Arya: Sir Ashwamedh yagna: Literally, the Horse sacrifice. In ancient times, an ambitious ruler, who wished to expand his territories and display his military prowess, would release a sacrificial horse to roam freely through the length and breadth of any kingdom in India. If any king stopped/captured the horse, the ruler’s army would declare war against the challenger, defeat the king and annexe that territory. If an opposing king did not stop the horse, the kingdom would become a vassal of the former Asura: Demon Ayuralay: Hospital Ayurvedic: Derived from Ayurved, an ancient Indian form of medicine Ayushman bhav: May you have a long life Baba: Father Bhang: Traditional intoxicant in India; milk mixed with marijuana Bhiksha: Alms or donations Bhojan graham: Dining room Brahmacharya: The vow of celibacy Brahmastra: Literally, the weapon of Brahma; spoken of in ancient Hindu scriptures. Many experts claim that the description of a Brahmastra and its effects are eerily similar to that of a nuclear weapon. I have assumed this to be true in the context of my book Branga: The ancient name for modern West Bengal, Assam and Bangladesh. Term coined from the conjoint of the two rivers of this land: Brahmaputra and Ganga Brangaridai: Literally, the heart of Branga. The capital of the kingdom of Branga Chandravanshi: Descendants of the moon Chaturanga: Ancient Indian game that evolved into the modern game of chess Chillum: Clay pipe, usually used to smoke marijuana Choti: Braid Construction of Devagiri royal court platform: The description in the book of the court platform is a possible explanation for the mysterious multiple-column buildings made of baked brick discovered at Indus Valley sites, usually next to the public baths, which many historians suppose could have been granaries Dada: Elder brother”
Amish Tripathi, The Oath of the Vayuputras

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