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Like many men who have weathered female rejection, the man in Apartment C12 believes that women have more power than anyone else on the planet. When evidence suggests that this can’t be true, he gets angry. It is an anger unique to those
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“The places we are born come back. They disguise themselves as migraines, stomach aches, insomnia.”
― Everything Under
― Everything Under
“One reason that birds matter - ought to matter - is that they are our last, best connection to a natural world that is otherwise receding. They're the most vivid and widespread representatives of the Earth as it was before people arrived on it.”
― The End of the End of the Earth: Essays
― The End of the End of the Earth: Essays
“Ten Rules for the Novelist:
1. The reader is a friend, not an adversary, not a spectator.
2. Fiction that isn’t an author’s personal adventure into the frightening or the unknown isn’t worth writing for anything but money.
3. Never use the word then as a conjunction—we have and for this purpose. Substituting then is the lazy or tone-deaf writer’s non-solution to the problem of too many ands on the page.
4. Write in third person unless a really distinctive first-person voice offers itself irresistibly.
5. When information becomes free and universally accessible, voluminous research for a novel is devalued along with it.
6. The most purely autobiographical fiction requires pure invention. Nobody ever wrote a more autobiographical story than The Metamorphosis.
7. You see more sitting still than chasing after.
8. It’s doubtful that anyone with an Internet connection at his workplace is writing good fiction.
9. Interesting verbs are seldom very interesting.
10. You have to love before you can be relentless.”
― The End of the End of the Earth: Essays
1. The reader is a friend, not an adversary, not a spectator.
2. Fiction that isn’t an author’s personal adventure into the frightening or the unknown isn’t worth writing for anything but money.
3. Never use the word then as a conjunction—we have and for this purpose. Substituting then is the lazy or tone-deaf writer’s non-solution to the problem of too many ands on the page.
4. Write in third person unless a really distinctive first-person voice offers itself irresistibly.
5. When information becomes free and universally accessible, voluminous research for a novel is devalued along with it.
6. The most purely autobiographical fiction requires pure invention. Nobody ever wrote a more autobiographical story than The Metamorphosis.
7. You see more sitting still than chasing after.
8. It’s doubtful that anyone with an Internet connection at his workplace is writing good fiction.
9. Interesting verbs are seldom very interesting.
10. You have to love before you can be relentless.”
― The End of the End of the Earth: Essays
“The stories we tell about the past and imagine for the future are mental constructions that birds can do without. Birds live squarely in the present. And at present, although our cats and our windows and our pesticides kill billions of them every year, and although some species, particularly on oceanic islands, have been lost forever, their world is still very much alive. In every corner of the globe, in nests as small as walnuts or as large as haystacks, chicks are pecking through their shells and into the light.”
― The End of the End of the Earth: Essays
― The End of the End of the Earth: Essays
“Isolation was a strange thing. Sometimes the lack felt like a blank page, like a possibility.”
― Supper Club
― Supper Club
The Next Best Book Club
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Are you searching for the NEXT best book? Are you willing to kiss all your spare cash goodbye? Are you easily distracted by independent bookshops, bi ...more
ryan’s 2025 Year in Books
Take a look at ryan’s Year in Books, including some fun facts about their reading.
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Contemporary, Fiction, History, Horror, Non-fiction, Paranormal, Psychology, Science, Suspense, and Thriller
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