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“I loved you, so I drew these tides of
Men into my hands
And wrote my will across the
Sky and stars
To earn you freedom, the seven
Pillared worthy house,
That your eyes might be
Shining for me
When we came
Death seemed my servant on the
Road, 'til we were near
And saw you waiting:
When you smiled and in sorrowful
Envy he outran me
And took you apart:
Into his quietness
Love, the way-weary, groped to your body,
Our brief wage
Ours for the moment
Before Earth's soft hand explored your shape
And the blind
Worms grew fat upon
Your substance
Men prayed me that I set our work,
The inviolate house,
As a memory of you
But for fit monument I shattered it,
Unfinished: and now
The little things creep out to patch
Themselves hovels
In the marred shadow
Of your gift.”
― The Seven Pillars of Wisdom
Men into my hands
And wrote my will across the
Sky and stars
To earn you freedom, the seven
Pillared worthy house,
That your eyes might be
Shining for me
When we came
Death seemed my servant on the
Road, 'til we were near
And saw you waiting:
When you smiled and in sorrowful
Envy he outran me
And took you apart:
Into his quietness
Love, the way-weary, groped to your body,
Our brief wage
Ours for the moment
Before Earth's soft hand explored your shape
And the blind
Worms grew fat upon
Your substance
Men prayed me that I set our work,
The inviolate house,
As a memory of you
But for fit monument I shattered it,
Unfinished: and now
The little things creep out to patch
Themselves hovels
In the marred shadow
Of your gift.”
― The Seven Pillars of Wisdom
“Love is possible only if two persons communicate with each other from the center of their existence, hence if each one of them experiences himself from the center of his existence. Only in this “central experience” is human reality, only here is aliveness, only here is the basis for love. Love, experienced thus, is a constant challenge; it is not a resting place, but a moving, growing, working together; even whether there is harmony or conflict, joy or sadness, is secondary to the fundamental fact that two people experience themselves from the essence of their existence, that they are one with each other by being one with themselves, rather than by fleeing from themselves. There is only one proof for the presence of love: the depth of the relationship, and the aliveness and strength in each person concerned; this is the fruit by which love is recognized.”
― The Art of Loving
― The Art of Loving
“The Aristocrat
The Devil is a gentleman, and asks you down to stay
At his little place at What'sitsname (it isn't far away).
They say the sport is splendid; there is always something new,
And fairy scenes, and fearful feats that none but he can do;
He can shoot the feathered cherubs if they fly on the estate,
Or fish for Father Neptune with the mermaids for a bait;
He scaled amid the staggering stars that precipice, the sky,
And blew his trumpet above heaven, and got by mastery
The starry crown of God Himself, and shoved it on the shelf;
But the Devil is a gentleman, and doesn't brag himself.
O blind your eyes and break your heart and hack your hand away,
And lose your love and shave your head; but do not go to stay
At the little place in What'sitsname where folks are rich and clever;
The golden and the goodly house, where things grow worse for ever;
There are things you need not know of, though you live and die in vain,
There are souls more sick of pleasure than you are sick of pain;
There is a game of April Fool that's played behind its door,
Where the fool remains for ever and the April comes no more,
Where the splendour of the daylight grows drearier than the dark,
And life droops like a vulture that once was such a lark:
And that is the Blue Devil that once was the Blue Bird;
For the Devil is a gentleman, and doesn't keep his word.”
― The Collected Works of G. K. Chesterton, Volume 10: Collected Poetry, Part 1
The Devil is a gentleman, and asks you down to stay
At his little place at What'sitsname (it isn't far away).
They say the sport is splendid; there is always something new,
And fairy scenes, and fearful feats that none but he can do;
He can shoot the feathered cherubs if they fly on the estate,
Or fish for Father Neptune with the mermaids for a bait;
He scaled amid the staggering stars that precipice, the sky,
And blew his trumpet above heaven, and got by mastery
The starry crown of God Himself, and shoved it on the shelf;
But the Devil is a gentleman, and doesn't brag himself.
O blind your eyes and break your heart and hack your hand away,
And lose your love and shave your head; but do not go to stay
At the little place in What'sitsname where folks are rich and clever;
The golden and the goodly house, where things grow worse for ever;
There are things you need not know of, though you live and die in vain,
There are souls more sick of pleasure than you are sick of pain;
There is a game of April Fool that's played behind its door,
Where the fool remains for ever and the April comes no more,
Where the splendour of the daylight grows drearier than the dark,
And life droops like a vulture that once was such a lark:
And that is the Blue Devil that once was the Blue Bird;
For the Devil is a gentleman, and doesn't keep his word.”
― The Collected Works of G. K. Chesterton, Volume 10: Collected Poetry, Part 1
“Love doesn't just sit there, like a stone, it has to be made, like bread; remade all the time, made new.”
― The Lathe of Heaven
― The Lathe of Heaven
“Love is not primarily a relationship to a specific person; it is an attitude, an orientation of character which determines the relatedness of a person to the world as a whole, not toward one “object” of love. If a person loves only one other person and is indifferent to the rest of his fellow men, his love is not love but a symbiotic attachment, or an enlarged egotism. Yet, most people believe that love is constituted by the object, not by the faculty.”
― The Art of Loving
― The Art of Loving
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