Michael Quinn

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One Yellow Eye
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The Fifth Season
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Paris, 1919: Six ...
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Tony Judt
“But although the content of public writing and performance was spectacularly metamorphosed by the fall of Hitler, Mussolini and their followers, the tone stayed much the same. The apocalyptic urgency of the Fascists; their call for violent, ‘definitive’ solutions, as though genuine change necessarily led through root-and-branch destruction; the distaste for the compromise and ‘hypocrisy’ of liberal democracy and the enthusiasm for Manichean choices (all or nothing, revolution or decadence): these impulses could serve the far Left equally well and after 1945 they did so.”
Tony Judt, Postwar: A History of Europe Since 1945

Iain M. Banks
“He had tried to think it through, to apply the same sort of cold, logical analysis to his own plight that he would normally bring to bear in a tricky situation in a game, but he just didn’t seem to be able to do so; it was as though that ability could look calmly only on distant, abstract problems, and was incapable of focusing on anything so intricately enmeshed with his own emotional state.”
Iain M. Banks, The Player of Games

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Paris, 1919 by Margaret MacMillanA Short History of Nearly Everything by Bill BrysonBattle Cry of Freedom by James M. McPherson
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