Mark McLaughlin

“Robineau le tira de sa solitude :

'Monsieur le Directeur, j’ai pensé… on pourrait peut-être essayer…'

Il n’avait rien à proposer, mais témoignait ainsi de sa bonne volonté. Il aurait tant aimé trouver une solution, et la cherchait un peu comme celle d’un rébus. Il trouvait toujours des solutions que Rivière n’écoutait jamais : 'Voyez-vous, Robineau, dans la vie, il n’y a pas de solutions. Il y a des forces en marche : il faut les créer et les solutions suivent.' Aussi Robineau bornait-il son rôle à créer une force en marche dans la corporation des mécaniciens. Une humble force en marche, qui préservait de la rouille les moyeux d’hélice.

Mais les événements de cette nuit-ci trouvaient Robineau désarmé. Son titre d’inspecteur n’avait aucun pouvoir sur les orages, ni sur un équipage fantôme, qui vraiment ne se débattait plus pour une prime d’exactitude, mais pour échapper à une seule sanction, qui annulait celles de Robineau, la mort.

Et Robineau, maintenant inutile, errait dans les bureaux, sans emploi.”
― Antoine de Saint-Exupéry, Night Flight

“Why do I know I exist if I also know I will not? Why was I given access to logical space and the mathematical structure of the world? Just to lose them when my body is destroyed? Why do I wake up in the night with the thought that I will die, why do I sit up, drenched in sweat, and scream and slap myself and try to suppress the thought that I will disappear for all eternity, that I will never be again, to the end of time? Why will the world end with me? We age: we stand quietly in line with those condemned to death. We are executed one after the other in a sinister extermination camp. We are first stripped of our beauty, youth, and hope. We are next wrapped in the penitential robe of illness, weariness, and decay. Our grandparents die, our parents are executed in front of us, and suddenly time gets short, you suddenly see your reflection in the axeblade.

And only then do you realize you are living in a slaughterhouse, that generations are butchered and swallowed by the earth, that billions are pushed down the throat of hell, that no one, absolutely no one escapes. That not one person that you see coming out of the factory gates in a Mélies film is still alive. That absolutely everyone in an eighty-year-old sepia photograph is dead. That we all come into this world from a frightening abyss without our memories, that we suffer unimaginably on a speck of dust, and that we then perish, all in a nanosecond, as though we had never lived, as though we had never been.”
― Mircea Cărtărescu, Solenoid

“God is so far away that no one can say anything about him and that’s why all ideas about God are wrong, and at the same time he is so close that we almost can’t notice him, because he is the foundation in a person, or the abyss, you can call it whatever you want,”
― Jon Fosse, A New Name: Septology VI-VII

“Art has no meaning if it’s not an escape. If it’s not born of a prisoner’s despair. I can’t respect any art that comforts and relieves, those novels and music and paintings designed to make your prison more bearable.”
― Mircea Cărtărescu, Solenoid