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When she plodded on in the shade of the hedge, silently thinking, she had the hard, half-apathetic expression of one who deems anything possible at the hands of Time and Chance except, perhaps, fair play. The first phase was the work of
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“It's very easy to laugh at her but it is not easy to be as brave as she.”
― The Portrait of a Lady
― The Portrait of a Lady
“I lapsed into my pathetic cut-off period. Often with humans, both good and bad, my senses simply shut off, they get tired, I give up. I am polite. I nod. I pretend to understand because I don’t want anybody to be hurt. That is the one weakness that has lead me into the most trouble. Trying to be kind to others I often get my soul shredded into a kind of spiritual pasta.”
― Hollywood: A Semi-Autobiographical Novel About Adapting Barfly into a Screenplay and Surviving the Movie Industry
― Hollywood: A Semi-Autobiographical Novel About Adapting Barfly into a Screenplay and Surviving the Movie Industry
“with bad painters all you need to do is not look at them. but even when you have learned not to look at families nor listen to them and have learned not to answer letters, families have many ways of being dangerous.”
― A Moveable Feast
― A Moveable Feast
“You see this creature with her kerbstone English: the English that will keep her in the gutter to the end of her days.”
― Pygmalion
― Pygmalion
“Her life should always be in harmony with the most pleasing impression she should produce; she would be what she appeared, and she would appear what she was.”
― The Portrait of a Lady
― The Portrait of a Lady
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