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Tropic of Cancer
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  (page 30 of 256)
Jul 29, 2026 04:17AM

 
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James Joyce
“He watched sleepily the flakes, silver and dark, falling obliquely against the lamplight. The time had come for him to set out on his journey westward. Yes, the newspapers were right: snow was general all over Ireland. It was falling on every part of the dark central plain, on the treeless hills, falling softly upon the Bog of Allen and, farther westward, softly falling into the dark mutinous Shannon waves. It was falling, too, upon every part of the lonely churchyard on the hill where Michael Furey lay buried. It lay thickly drifted on the crooked crosses and headstones, on the spears of the little gate, on the barren thorns. His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.”
James Joyce, The Dead (A Novella) (Annotated): Enriched Edition. A Snowbound Dublin Epiphany of Memory, Irish Identity, and Modernist Revelation

Virginia Woolf
“I, who am perpetually making notes in the margin of my mind for some final statement, make this mark, waiting for some winter's evening.”
Virginia Woolf, The Waves

James Joyce
“Generous tears filled Gabriel’s eyes. He had never felt like that himself towards any woman, but he knew that such a feeling must be love. The tears gathered more thickly in his eyes and in the partial darkness he imagined he saw the form of a young man standing under a dripping tree. Other forms were near. His soul had approached that region where dwell the vast hosts of the dead. He was conscious of, but could not apprehend, their wayward and flickering existence. His own identity was fading out into a grey impalpable world: the solid world itself which these dead had one time reared and lived in was dissolving and dwindling.”
James Joyce, The Dead (A Novella) (Annotated): Enriched Edition. A Snowbound Dublin Epiphany of Memory, Irish Identity, and Modernist Revelation

James Joyce
“He asked himself what is a woman standing on the stairs in the shadow, listening to distant music, a symbol of. If he were a painter he would paint her in that attitude. Her blue felt hat would show off the bronze of her hair against the darkness and the dark panels of her skirt would show off the light ones. Distant Music he would call the picture if he were a painter.”
James Joyce, The Dead

James Joyce
“One by one they were all becoming shades. Better pass boldly into that other world, in the full glory of some passion, than fade and wither dismally with age. He thought of how she who lay beside him had locked in her heart for so many years that image of her lover’s eyes when he had told her that he did not wish to live.”
James Joyce, The Dead (A Novella) (Annotated): Enriched Edition. A Snowbound Dublin Epiphany of Memory, Irish Identity, and Modernist Revelation

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