Sed2109

“I feel sometimes as if I were a child who opens its eyes on the world once and sees amazing things it will never know any names for and then has to close its eyes again. I know this is all mere apparition compared to what awaits us, but it is only lovelier for that. There is a human beauty in it. And I can't believe that, when we have all been changed and put on incorruptibility, we will forget our fantastic condition of mortality and impermanence, the great bright dream of procreating and perishing that meant the whole world to us. In eternity this world will be Troy, I believe, and all that has passed here will be the epic of the universe, the ballad they sing in the streets. Because I don't imagine any reality putting this one in the shade entirely, and I think piety forbids me to try.”
― Marilynne Robinson, Gilead

“Women matter. Women are half of us. When you raise every woman to believe that we are insignificant, that we are broken, that we are sick, that the only cure is starvation and restraint and smallness; when you pit women against one another, keep us shackled by shame and hunger, obsessing over our flaws rather than our power and potential; when you leverage all of that to sap our money and our time—that moves the rudder of the world. It steers humanity toward conservatism and walls and the narrow interests of men, and it keeps us adrift in waters where women’s safety and humanity are secondary to men’s pleasure and convenience.”
― Lindy West, Shrill: Notes from a Loud Woman

“Every story I create, creates me. I write to create myself.”
― Octavia E. Butler

“These are only words, not incisions or shocks, so their violence may be harder to see...a man's wrist lifts as he pours water from a pitcher, making it seem as if water, wrist, world, exist so this angle can be. A parallelogram of moonlight reads the bumps on his back as he sleeps in my arms. When I fix on these images, I know that to transform the desire they embody into loathing would be a violence as sure as a knife across a painting”
― Kenji Yoshino