Jewel

“Maybe it’s no coincidence that Parton’s popularity seemed to surge the same year America seemed to falter. A fractured thing craves wholeness, and that’s what Dolly Parton offers—one woman who simultaneously embodies past and present, rich and poor, feminine and masculine, Jezebel and Holy Mother, the journey of getting out and the sweet return to home.”
― Sarah Smarsh, She Come By It Natural: Dolly Parton and the Women Who Lived Her Songs

“Colonialism demands history begin past the point of colonization precisely because, under those narrative conditions, the colonist’s every action is necessarily one of self-defense. The story begins not when the wagons arrive, but only after they are circled. In this telling, fear is the exclusive property of only one people, and the notion that the occupied might fear the doing of their occupier is as fantastical as the notion that barbarians might be afraid of the gate. Any population on whom this asymmetry is imposed will always be the instigators, the cause of what is and, simultaneously, the justification for what will be. The savage outside does, the civilized center must respond. How does one finish the sentence: 'It is unfortunate that tens of thousands of children are dead, but …'
Ignore for a moment that the number is an approximation. Ignore the many more children mutilated, orphaned, left to scream under the rubble. Ignore the construction of the sentence itself, its dark similarities to the language of every abuser—You made me do this. Ignore all of this and think about how you would finish this sentence that has now been uttered in one “tence that has now been uttered in one form or another by so many otherwise deeply empathetic Western liberals. How to finish it and still be able to sleep at night.
Surely, many people have, and their answers might relate to terrorists or revenge or an all-encompassing right to self-defense. But trimmed to its most basic language, every proposed conclusion to that sentence is some variant of the same basic thesis: They would have killed more of ours.
What does unlimited fear cost? What will sate it?”
― Omar El Akkad, One Day, Everyone Will Have Always Been Against This

“how silly of me
to forget that I am
the love of my life”
― maia, The Fall, The Rise

“The default assumption tends to be that it is politically important to designate everyone as beautiful, that it is a meaningful project to make sure that everyone can become, and feel, increasingly beautiful. We have hardly tried to imagine what it might look like if our culture could do the opposite—de-escalate the situation, make beauty matter less.”
― Jia Tolentino, Trick Mirror: Reflections on Self-Delusion