Alma

“American culture, perhaps more than any other, prizes individualism. Our narratives of art, politics, and business idolize the person who triumphs against the odds, with only himself or herself to answer to. The lone wolf. The stranger in town. The maverick. The plucky kid. The Final Girl. You've only got yourself, in the end. It's all up to you.”
― Andi Zeisler, We Were Feminists Once: From Riot Grrrl to CoverGirl, the Buying and Selling of a Political Movement

“Empowerment wasn't defined as a static concept or standalone occurrence, but as an evolving way to rethink entire power structures and value systems, draw on shared skills and knowledge, and endow marginalized communities with tools for economic sustainability.”
― Andi Zeisler, We Were Feminists Once: From Riot Grrrl to CoverGirl, the Buying and Selling of a Political Movement

“In a time of feminism taken into account, there's a sense that if one's choices--even in something as minor as a favorite chill-out show--can't be rationalized, they should probably be kept quiet. As with most-feminist movies and most-feminist underpants, this suggests that feminism is a unvarying foundation of a larger system. It suggests feminism is something that either is or is not okay to consume, rather than a sense through which creators and audiences see stories, characters, and communication.”
― Andi Zeisler, We Were Feminists Once: From Riot Grrrl to CoverGirl, the Buying and Selling of a Political Movement

“Treating feminism like it's a personal accessory that just isn't appropriate anymore obscures the places where feminism hasn't made strides for people who still need it.”
― Andi Zeisler, We Were Feminists Once: From Riot Grrrl to CoverGirl, the Buying and Selling of a Political Movement