Dan

“When they sang, we heard them. We sang with them, and welcomed this new life into a world that is cruel, but that has love in it, too, if you know where to look. This is how we are remembered. In snatches of song, in dreams, in the smile that passes between mother and child. These are the parts of us that cannot be destroyed. These are the parts of us that feed the roots, and keep them strong. The soil is fertile. Our tree grows on.”
― Eleanor Shearer, River Sing Me Home

“Reading Group
Questions and Topics for Discussion 1. Maya Angelou begins her autobiography with a moment of public humiliation in church. Why do you think she chose this scene in particular? Do themes in this scene reappear throughout the memoir? 2. To Marguerite, her mother seems alternately charming elusive, unreliable, and strong. Which episodes in the novel illuminate her character? Do you think she was a good mother? 3. Mrs. Flowers “encouraged [Marguerite] to listen carefully to what country people called mother wit. That in those homely sayings was couched the collective wisdom of generations” (this page). What are some of the maxims that Angelou remembers hearing from Momma and Mother? Did any of these maxims strike a particular chord with you? Are there examples of “mother wit” that you remember from your own childhood, or pass on to those around you? 4. Angelou describes Marguerite as “superstitious” (this page). Can you find some examples of Marguerite's superstition? 5. How does Angelou describe her molestation and later her rape at the hands of Mr. Freeman? Were you surprised by her emotions? Was this terrible experience the defining moment of the novel or of Angelou's childhood? Why or why not? 6.”
― Maya Angelou, I Know Why the Caged Bird Sings

“The political problem of mankind is to combine three things: economic efficiency, social justice, and individual liberty,”
― Zachary D. Carter, The Price of Peace: Money, Democracy, and the Life of John Maynard Keynes

“Your children are not your children. They are the sons and daughters of Life’s longing for itself. They come through you but not from you, and though they are with you yet they belong not to you. You may give them your love but not your thoughts, For they have their own thoughts. You may house their bodies but not their souls, For their souls dwell in the house of tomorrow, which you cannot visit, not even in your dreams. You may strive to be like them, but seek not to make them like you. For life goes not backward nor tarries with yesterday. You are the bows from which your children as living arrows are sent forth. The archer sees the mark upon the path of the infinite, and he bends you with his might that his arrows may go swift and far. Let your bending in the archer’s hand be for gladness; For even as he loves the arrow that flies, so he loves also the bow that is stable.”
― Susan Abulhawa, Mornings in Jenin