Holly

“I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
― Sylvia Plath, The Bell Jar

“Her mother was good and responsible and holy and always somewhere far away in her own head, or with a headache, or napping, or just, please, leave me alone. Forget your grammy and her book. Be serious. Do something sensible. And always the girl had thought her mother was pushing her out the door, away and away, go fast. She thought this had been a sort of abandonment, but now she saw it for what it was: her mother's best love. How many generations of women had delayed their greatness only to have time extinguish it completely? How many women had run out of time while the men didn't know what to do with theirs? And what a mean trick to call such things holy or selfless. How evil to praise women for giving up each and every dream.”
― Rachel Yoder, Nightbitch

“I had absolutely no interest in being somebody else's muse.
I am not a muse.
I am the somebody.
End of fucking story.”
― Taylor Jenkins Reid, Daisy Jones & The Six