Paige

“My eye is still used to searching for her in a crowd. My breath is still used to catching when I see her and the light is angled just right. My body is still used to hers moving next to mine. So the distance—anything short of contact—is a constant rejection. We were together for six months, and in each of those months my desire found new ways to be fueled by her. It’s over can’t kill that. All of the songs I wrote in my head were for her, and now I can’t stop them from playing. This null soundtrack. I’m tired, she’d said, and I told her that I was tired, too, and that I wanted to take some time for us, too. And then she’d said, No, I’m tired of you, and I slipped into the surreal-but-true universe where we were over and I wasn’t over it. She was no longer any kind of here that I could get to”
― David Levithan, Nick & Norah's Infinite Playlist

“I told myself that in the country of my birth, from which I was disengaged in an increasingly irreversible way, there undoubtedly were many men and women like him, basically decent people who had dreamed all their lives of the economic, social, cultural, and political progress that would transform Peru into a modern, prosperous, democratic society with opportunities open to all, only to find themselves repeatedly frustrated, and, like Uncle Ataulfo, had reached old age - the very brink of death - bewildered, asking themselves why we were moving backward instead of advancing and were worse off now with more discrimination, inequality, violence, and insecurity than when they were starting out”
― Edith Grossman, The Bad Girl

“Given my antipathy for the paparazzi, she thinks it’s hysterical that I’m so attached to my cameras. But to me, what I do is the anti-paparazzi. TMZsters want to capture surface. If a picture’s in focus, it’s great. My goal is to capture what the surface is hiding. There’s a story behind every face, every landscape, every still life. There’s a soul in every subject, and when my camera and I are really speaking, really working together properly, we can capture it.”
― Hilary Duff, Elixir

“He wants to know, “Why would you fuck up Tris’s Barbies?” and now I’m like, Shit, is this the price of the sacrifice for Caroline passing out unexpectedly early—that Nick has taken over the melancholy stage that usually follows Caroline’s inquisitive one? “I have three sisters and I know that’s some serious business, messing with another girl’s Barbies.” Okay, maybe he’s not being melancholy because his sarcastic smile lets me know he’s back to being standard-issue band-boy irony creature. Damn him that it somewhat makes me wanna jump his bones.”
― David Levithan