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“You're into what you're into, I'm into what I'm into. We don't have to be into the same shit, and if you're safe, sane, and happy, then go on and get you some.”
― Sex Criminals, Vol. 3: Three the Hard Way
― Sex Criminals, Vol. 3: Three the Hard Way
“The song just started again, and now I sang it, too. "These strong hands belong to you..."
I found a place between two men. The first was about my age, maybe a little younger, with high cheekbones and small eyes. The other was middle-aged, with a wide forehead and bulb nose, and beside him was a man with a striking face, a square, dimpled chin and high cheekbones... and then there was another, and another--all the kinds of faces in all the colors the world calls black: brown and tan and yellow and orange, copper and bronze and gold.
"These strong hands belong to you..."
They sang--we sang--with no enthusiasm or joy. We used to sing at Bell's, crossing the yard or working on the pile, just like slaves used to sing in Old Slavery, spirituals and work songs, sly lyrics, silly lyrics, yearning for freedom or roasting Massa in nonsense words he couldn't understand. This, though--this was a different kind of singing. I looked from man to man, and they were singing mechanically, eyes front, mouths moving like puppets. Singing this dumb refrain about how much they loved their bosses and loved their work.
Nothing spiritual about this. This was something else altogether.”
― Underground Airlines
I found a place between two men. The first was about my age, maybe a little younger, with high cheekbones and small eyes. The other was middle-aged, with a wide forehead and bulb nose, and beside him was a man with a striking face, a square, dimpled chin and high cheekbones... and then there was another, and another--all the kinds of faces in all the colors the world calls black: brown and tan and yellow and orange, copper and bronze and gold.
"These strong hands belong to you..."
They sang--we sang--with no enthusiasm or joy. We used to sing at Bell's, crossing the yard or working on the pile, just like slaves used to sing in Old Slavery, spirituals and work songs, sly lyrics, silly lyrics, yearning for freedom or roasting Massa in nonsense words he couldn't understand. This, though--this was a different kind of singing. I looked from man to man, and they were singing mechanically, eyes front, mouths moving like puppets. Singing this dumb refrain about how much they loved their bosses and loved their work.
Nothing spiritual about this. This was something else altogether.”
― Underground Airlines
“Look where we worship.”
― The Lords and the New Creatures
― The Lords and the New Creatures
“We're more than the sum total of our choices, that all the paths we might have taken factor somehow into the math of our identity.”
― Dark Matter
― Dark Matter
“RUTH: If you take the glass…I’ll take you.”
― The Homecoming
― The Homecoming
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