“Rapture
I can feel she has got out of bed.
That means it is seven a.m.
I have been lying with eyes shut,
thinking, or possibly dreaming,
of how she might look if, at breakfast,
I spoke about the hidden place in her
which, to me, is like a soprano’s tremolo,
and right then, over toast and bramble jelly,
if such things are possible, she came.
I imagine she would show it while trying to conceal it.
I imagine her hair would fall about her face
and she would become apparently downcast,
as she does at a concert when she is moved.
The hypnopompic play passes, and I open my eyes
and there she is, next to the bed,
bending to a low drawer, picking over
various small smooth black, white,
and pink items of underwear. She bends
so low her back runs parallel to the earth,
but there is no sway in it, there is little burden, the day has hardly begun.
The two mounds of muscles for walking, leaping, lovemaking,
lift toward the east—what can I say?
Simile is useless; there is nothing like them on earth.
Her breasts fall full; the nipples
are deep pink in the glare shining up through the iron bars
of the gate under the earth where those who could not love
press, wanting to be born again.
I reach out and take her wrist
and she falls back into bed and at once starts unbuttoning my pajamas.
Later, when I open my eyes, there she is again,
rummaging in the same low drawer.
The clock shows eight. Hmmm.
With huge, silent effort of great,
mounded muscles the earth has been turning.
She takes a piece of silken cloth
from the drawer and stands up. Under the falls
of hair her face has become quiet and downcast,
as if she will be, all day among strangers,
looking down inside herself at our rapture.”
― A New Selected Poems
I can feel she has got out of bed.
That means it is seven a.m.
I have been lying with eyes shut,
thinking, or possibly dreaming,
of how she might look if, at breakfast,
I spoke about the hidden place in her
which, to me, is like a soprano’s tremolo,
and right then, over toast and bramble jelly,
if such things are possible, she came.
I imagine she would show it while trying to conceal it.
I imagine her hair would fall about her face
and she would become apparently downcast,
as she does at a concert when she is moved.
The hypnopompic play passes, and I open my eyes
and there she is, next to the bed,
bending to a low drawer, picking over
various small smooth black, white,
and pink items of underwear. She bends
so low her back runs parallel to the earth,
but there is no sway in it, there is little burden, the day has hardly begun.
The two mounds of muscles for walking, leaping, lovemaking,
lift toward the east—what can I say?
Simile is useless; there is nothing like them on earth.
Her breasts fall full; the nipples
are deep pink in the glare shining up through the iron bars
of the gate under the earth where those who could not love
press, wanting to be born again.
I reach out and take her wrist
and she falls back into bed and at once starts unbuttoning my pajamas.
Later, when I open my eyes, there she is again,
rummaging in the same low drawer.
The clock shows eight. Hmmm.
With huge, silent effort of great,
mounded muscles the earth has been turning.
She takes a piece of silken cloth
from the drawer and stands up. Under the falls
of hair her face has become quiet and downcast,
as if she will be, all day among strangers,
looking down inside herself at our rapture.”
― A New Selected Poems
“About sexuality of English mice.
A warm perfume is growing little by little in the room. An orchard scent, a caramelized sugar scent. Mrs. MOUSE roasts apples in the chimney. The apple fruits smell grass of England and the pastry oven. On a thread drawn in the flames, the apples, from the buried autumn, turn a golden color and grind in tempting bubbles.
But I have the feeling that you already worry. Mrs. MOUSE in a Laura Ashley apron, pink and white stripes, with a big purple satin bow on her belt, Mrs. MOUSE is certainly not a free mouse? Certainly she cooks all day long lemon meringue tarts, puddings and cheese pies, in the kitchen of the burrow. She suffocates a bit in the sweet steams, looks with a sigh the patched socks trickling, hanging from the ceiling, between mint leaves and pomegranates. Surely Mrs. MOUSE just knows the inside, and all the evening flavours are just good for Mrs. MOUSE flabbiness.
You are totally wrong - we can forgive you – we don’t know enough that the life in the burrow is totally communal. To pick the blackberries, the purplish red elderberries, the beechnuts and the sloes Mr. and Mrs. MOUSE escape in turn, and glean in the bushes the winter gatherings. After, with frozen paws, intoxicated with cold wind, they come back in the burrow, and it’s a good time when the little door, rond little oak wood door brings a yellow ray in the blue of the evening. Mr. and Mrs. MOUSE are from outside and from inside, in the most complete commonality of wealth and climate.
While Mrs. MOUSE prepares the hot wine, Mr. MOUSE takes care of the children. On the top of the bunk bed Thimoty is reading a cartoon, Mr. MOUSE helps Benjamin to put a fleece-lined pyjama, one in a very sweet milky blue for snow dreams.
That’s it … children are in bed ….
Mrs. MOUSE blazes the hot wine near the chimney, it smells lemon, cinnamon, big dry flames, a blue tempest. Mr. and Mrs. MOUSE can wait and watch. They drink slowly, and then .... they will make love ….You didn’t know? It’s true, we need to guess it. Don’t expect me to tell you in details the mice love in patchwork duvets, the deep cherry wood bed. It’s just good enough not to speak about it. Because, to be able to speak about it, it would need all the perfumes, all the silent, all the talent and all the colors of the day. We already make love preparing the blackberries wine, the lemon meringue pie, we already make love going outside in the coldness to earn the wish of warmness and come back. We make love downstream of the day, as we take care of our patiences.
It’s a love very warm, very present and yet invisible, mice’s love in the duvets.
Imagine, dream a bit ….. Don’t speak too badly about English mice’s sexuality …..”
―
A warm perfume is growing little by little in the room. An orchard scent, a caramelized sugar scent. Mrs. MOUSE roasts apples in the chimney. The apple fruits smell grass of England and the pastry oven. On a thread drawn in the flames, the apples, from the buried autumn, turn a golden color and grind in tempting bubbles.
But I have the feeling that you already worry. Mrs. MOUSE in a Laura Ashley apron, pink and white stripes, with a big purple satin bow on her belt, Mrs. MOUSE is certainly not a free mouse? Certainly she cooks all day long lemon meringue tarts, puddings and cheese pies, in the kitchen of the burrow. She suffocates a bit in the sweet steams, looks with a sigh the patched socks trickling, hanging from the ceiling, between mint leaves and pomegranates. Surely Mrs. MOUSE just knows the inside, and all the evening flavours are just good for Mrs. MOUSE flabbiness.
You are totally wrong - we can forgive you – we don’t know enough that the life in the burrow is totally communal. To pick the blackberries, the purplish red elderberries, the beechnuts and the sloes Mr. and Mrs. MOUSE escape in turn, and glean in the bushes the winter gatherings. After, with frozen paws, intoxicated with cold wind, they come back in the burrow, and it’s a good time when the little door, rond little oak wood door brings a yellow ray in the blue of the evening. Mr. and Mrs. MOUSE are from outside and from inside, in the most complete commonality of wealth and climate.
While Mrs. MOUSE prepares the hot wine, Mr. MOUSE takes care of the children. On the top of the bunk bed Thimoty is reading a cartoon, Mr. MOUSE helps Benjamin to put a fleece-lined pyjama, one in a very sweet milky blue for snow dreams.
That’s it … children are in bed ….
Mrs. MOUSE blazes the hot wine near the chimney, it smells lemon, cinnamon, big dry flames, a blue tempest. Mr. and Mrs. MOUSE can wait and watch. They drink slowly, and then .... they will make love ….You didn’t know? It’s true, we need to guess it. Don’t expect me to tell you in details the mice love in patchwork duvets, the deep cherry wood bed. It’s just good enough not to speak about it. Because, to be able to speak about it, it would need all the perfumes, all the silent, all the talent and all the colors of the day. We already make love preparing the blackberries wine, the lemon meringue pie, we already make love going outside in the coldness to earn the wish of warmness and come back. We make love downstream of the day, as we take care of our patiences.
It’s a love very warm, very present and yet invisible, mice’s love in the duvets.
Imagine, dream a bit ….. Don’t speak too badly about English mice’s sexuality …..”
―
“We want to be, when we are young,
A little man.
I would like to be a big child,
Stronger and fairer than a man,
And more lucid than a child.”
―
A little man.
I would like to be a big child,
Stronger and fairer than a man,
And more lucid than a child.”
―
“ This morning, on the avenue, my death was walking next to me, under the plane-trees. I came back home, lied on the bed. My death looked tired as much as I was. A few minuts later, I woke up, made a coffee and opened a poems book. Some light came out from the book. I think it was at this moment that my death left the appartment, crossing the door, without noise. It was not her time, and perhaps she was depressed by the beauty of a few words, yes, perhaps the death doesn't support books and prefers the head ache maker television.”
― Autoportrait au radiateur
― Autoportrait au radiateur
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