Anamika

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Hélène Cixous
“If woman has always functioned "within" the discourse of man, a signifier that has always referred back to the opposite signifier which annihilates its specific energy and diminishes or stifles its very different sounds, it is time for her to dislocate this "within," to explode it, turn it around, and seize it; to make it hers, containing it, taking it in her own mouth, biting that tongue with her very own teeth to invent for herself a language to get inside of. And you'll see with what ease she will spring forth from that "within" - the "within" where once she so drowsily crouched - to overflow at the lips she will cover the foam.”
Hélène Cixous, The Laugh of the Medusa

Fatema Mernissi
“Writing is one of the most ancient forms of prayer. To write is to believe communication is possible that other people are good, that you can awaken their generosity and their desire to do better.”
Fatima Mernissi

Haruki Murakami
“What happens when people open their hearts?"
"They get better.”
Haruki Murakami, Norwegian Wood

Cherríe L. Moraga
“It’s the Poverty.

I lack imagination you say

No. I lack language.
The language to clarify
my resistance to the literate.
Words are a war to me.
They threaten my family.

To gain the word
to describe the loss
I risk losing everything.
I may create a monster
the word’s length and body
swelling up colorful and thrilling
looming over my mother, characterized.
Her voice in the distance
unintelligible illiterate.
These are the monster’s words.”
Cherríe L. Moraga, Loving in the War Years

Hélène Cixous
“Every woman has known the torment of getting up to speak. Her heart racing, at times entirely lost for words, ground and language slipping away - that's how daring a feat, how great a transgression it is for a woman to speak - even just open her mouth - in public. A double distress, for even if she transgresses, her words fall almost always upon the deaf male ear, which hears in language only that which speaks in the masculine.”
Hélène Cixous, The Laugh of the Medusa

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