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“What is this world? What is it for? It is art. It is the best of all possible art, a finite picture of the Infinite.”
― Notes From The Tilt-A-Whirl: Wide-Eyed Wonder in God's Spoken World
― Notes From The Tilt-A-Whirl: Wide-Eyed Wonder in God's Spoken World

“She made beauty all round her. When she trod on mud, the mud was beautiful; when she ran in the rain, the rain was silver. When she picked up a toad - she had the strangest and, I thought, unchanciest love for all manner of brutes - the toad became beautiful.”
― Till We Have Faces
― Till We Have Faces

“Indeed is it not the case that in this matter of sanctification our tendency is always to start with ourselves, instead of starting with God? I have got this sin that is worrying me and always getting me down, this sin that defeats me, and my tendency is to say, 'What can be done about this sin, this problem of mine. How can I get rid of this thing? How can I get peace?' I start with myself and my problem, and as certainly as I do that when I am considering this doctrine of sanctification, I am sure, in some shape or form, to end by regarding God as merely an agency who is there to help me solve my problems. And this is a totally unscriptural approach to the almighty ever blessed God.”
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“The sight of the huge world put mad ideas into me, as if I could wander away, wander forever, see strange and beautiful things, one after the other to the world's end. The freshness and wetness all about me (I had seen nothing but drought and withered things for many months before my sickness) made me feel that I had misjudged the world; it seemed kind, and laughing, as if its heart also danced. Even my ugliness I could not quite believe in. Who can feel ugly when the heart meets delight?”
― Till We Have Faces
― Till We Have Faces
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