“Men, it has been well said, think in herds; it will be seen that they go mad in herds, while they only recover their senses slowly, one by one.”
― Extraordinary Popular Delusions and the Madness of Crowds
― Extraordinary Popular Delusions and the Madness of Crowds
“Man's feeling of homelessness, of alienation has been intensified in the midst of a bureaucratized, impersonal mass society. He has come to feel himself an outsider even within his own human society. He is trebly alienated: a stranger to God, to nature, and to the gigantic social apparatus that supplies his material wants.
But the worst and final form of alienation, toward which indeed the others tend, is man's alienation from his own self. In a society that requires of man only that he perform competently his own particular social function, man becomes identified with this function, and the rest of his being is allowed to subsist as best it can - usually to be dropped below the surface of consciousness and forgotten.”
― Irrational Man: A Study in Existential Philosophy
But the worst and final form of alienation, toward which indeed the others tend, is man's alienation from his own self. In a society that requires of man only that he perform competently his own particular social function, man becomes identified with this function, and the rest of his being is allowed to subsist as best it can - usually to be dropped below the surface of consciousness and forgotten.”
― Irrational Man: A Study in Existential Philosophy
“We rightly admire the celebrated artists of the past who created great work, knowing their prize would be a happy life and a generous reward. How much more, then, should we praise and exalt those rare men of genius who create priceless work and who live not merely unrewarded but in circumstances of wretched poverty! It is undeniably true that if the artists of our own time were justly rewarded they would produce even greater works of art, far superior to those of the ancient world. Instead, the artist today struggles to ward off famine rather than to win fame, and this crushes and buries his talent and obscures his name. This is a shame and disgrace to those who could come to his help but refuse to do so.”
― Lives of the Artists
― Lives of the Artists
“We were keeping our eye on 1984. When the year came and the prophecy didn't, thoughtful Americans sang softly in praise of themselves. The roots of liberal democracy had held. Wherever else the terror had happened, we, at least, had not been visited by Orwellian nightmares.
But we had forgotten that alongside Orwell's dark vision, there was another - slightly older, slightly less well known, equally chilling: Aldous Huxley's Brave New World. Contrary to common belief even among the educated, Huxley and Orwell did not prophesy the same thing. Orwell warns that we will be overcome by an externally imposed oppression. But in Huxley's vision, no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think.
What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny "failed to take into account man's almost infinite appetite for distractions." In 1984, Orwell added, people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we fear will ruin us. Huxley feared that what we desire will ruin us.
This book is about the possibility that Huxley, not Orwell, was right.”
― Amusing Ourselves to Death: Public Discourse in the Age of Show Business
But we had forgotten that alongside Orwell's dark vision, there was another - slightly older, slightly less well known, equally chilling: Aldous Huxley's Brave New World. Contrary to common belief even among the educated, Huxley and Orwell did not prophesy the same thing. Orwell warns that we will be overcome by an externally imposed oppression. But in Huxley's vision, no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think.
What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny "failed to take into account man's almost infinite appetite for distractions." In 1984, Orwell added, people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we fear will ruin us. Huxley feared that what we desire will ruin us.
This book is about the possibility that Huxley, not Orwell, was right.”
― Amusing Ourselves to Death: Public Discourse in the Age of Show Business
“I remember a little girl...
But how can that be...
Once I was that little Resi,
and then one day I became an old woman?
...If God wills it so, why allow me to see it?
Why doesn't he hide it from me?
Everything is a mystery, such a deep mystery...
I feel the fragility of things in time.
From the bottom of my heart, I feel we should
cling to nothing.
Everything slips through our fingers.
All that we seek to hold on to dissolves.
Everything vanishes, like mist and dreams...
Time is a strange thing.
When we don't need it, it is nothing.
Then, suddenly, there is nothing else.
It is everywhere around us. Also within us.
It seeps into our faces.
It seeps into the mirror, runs through my temples...
Between you and I it runs silently, like an hourglass.
Oh, Quin Quin.
Sometimes I feel it flowing inexorably.
Sometimes I get up in the middle of the night
and stop all the clocks...”
― L'ordine del tempo
But how can that be...
Once I was that little Resi,
and then one day I became an old woman?
...If God wills it so, why allow me to see it?
Why doesn't he hide it from me?
Everything is a mystery, such a deep mystery...
I feel the fragility of things in time.
From the bottom of my heart, I feel we should
cling to nothing.
Everything slips through our fingers.
All that we seek to hold on to dissolves.
Everything vanishes, like mist and dreams...
Time is a strange thing.
When we don't need it, it is nothing.
Then, suddenly, there is nothing else.
It is everywhere around us. Also within us.
It seeps into our faces.
It seeps into the mirror, runs through my temples...
Between you and I it runs silently, like an hourglass.
Oh, Quin Quin.
Sometimes I feel it flowing inexorably.
Sometimes I get up in the middle of the night
and stop all the clocks...”
― L'ordine del tempo
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