Isabelle

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Pachinko
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Earlyfate
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Sunstruck
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Madeline Miller
“In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.”
Madeline Miller, The Song of Achilles

Richard Siken
“Tell me about the dream where we pull the bodies out of the lake
                                                                                and dress them in warm clothes again.
          How it was late, and no one could sleep, the horses running
until they forget that they are horses.
                    It’s not like a tree where the roots have to end somewhere,
          it’s more like a song on a policeman’s radio,
                              how we rolled up the carpet so we could dance, and the days
were bright red, and every time we kissed there was another apple
                                                                                                                        to slice into pieces.
Look at the light through the windowpane. That means it’s noon, that means
          we're inconsolable.
                                                            Tell me how all this, and love too, will ruin us.
These, our bodies, possessed by light.
                                                                                          Tell me we’ll never get used to it.”
Richard Siken, Crush

Richard Siken
“A man takes his sadness down to the river and throws it in the river
                    but then he’s still left
with the river. A man takes his sadness and throws it away
                                                                        but then he’s still left with his hands.”
Richard Siken, Crush

Madeline Miller
“He smiled, and his face was like the sun.”
Madeline Miller, The Song of Achilles

George Eliot
“We could never have loved the earth so well if we had had no childhood in it, if it were not the earth where the same flowers come up again every spring that we used to gather with our tiny fingers as we sat lisping to ourselves on the grass, the same hips and haws on the autumn hedgerows, the same redbreasts that we used to call ‘God’s birds’ because they did no harm to the precious crops. What novelty is worth that sweet monotony where everything is known and loved because it is known?”
George Eliot, The Mill on the Floss

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