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The Art of Thinki...
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Midnight’s Children
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Unbound: 2,000 Ye...
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Emily St. John Mandel
“The bright side of the planet moves toward darkness And the cities are falling asleep, each in its hour, And for me, now as then, it is too much. There is too much world. —Czeslaw Milosz The Separate Notebooks”
― Emily St. John Mandel, Station Eleven

Emily St. John Mandel
“You know where I'm from," he said, and she understood what he meant by this. Once we lived on an island in the ocean. Once we took the ferry to go to high school, and at night the sky was brilliant in the absence of all these city lights. Once we paddled canoes to the lighthouse to look at petroglyphs and fished for salmon and walked through deep forests, but all of this was completely unremarkable because everyone else we knew did these things too, and here in these lives we've built for ourselves, here in these hard and glittering cities, none of this would seem real if it wasn't for you.”
― Emily St. John Mandel, Station Eleven

“I would fall in love with someone’s potential rather than with who they actually were. I’d walk in, find a guy who was smart and funny but a complete mess, and light up like a talent agent from the 1950s. I’d think to myself, “This kid’s gonna be a star!” I’d take on a guy the way Michelle Pfeiffer took on the punk-ass kids from Dangerous Minds, seeing the best in them and pushing them to be better. And also like Michelle Pfeiffer in Dangerous Minds, I had to teach a couple of guys how to read. Of course, this dynamic caused my relationships to feel maternal, making my partner resent me and making sex feel like incest. To add insult to injury, I basically ended up coaching a guy to be the best he can be for the next girl who came along. To anyone dating my exes, you’re welcome for getting them together so you could have the perfect boyfriend. Love you, girl.”
― Whitney Cummings, I'm Fine...And Other Lies

Emily St. John Mandel
“The night sky was brighter than it had been. On the clearest nights the stars were a cloud of light across the breadth of the sky, extravagant in their multitudes . . . The era of light pollution had come to an end. The increasing brilliance meant the grid was failing, darkness pooling over the earth. I was here for the end of electricity. The thought sent shivers up Clark's spine.”
― Emily St. John Mandel, Station Eleven

Zizi Papacharissi
“[Affect] presents a way of incorporating intensity into our interpretations of experiences, both qualitatively and quantitatively, as intensity augments, but it also drives and suggests.”
― Zizi Papacharissi, Affective Publics: Sentiment, Technology, and Politics

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