Lisa Findley

“This realm of Pauline's--the realm of the so sad--is immutable and inevitable, like hurricanes and tsunamis. No particular angst is attached to it. Normally, this is bearable; today it is obscene. So sad is too distant from Pauline's existence, which is only disappointing. It makes disappointing look like a blessing. This must be why news of it is always so welcome, so satisfying.”
― Zadie Smith, NW

“The permanence of my impermanence. I stand in possession of it. I stand before him at the entrance to a subway station, in possession of nothing but myself. Myself is everything, I want to tell him. But to him it is nothing, because that's how he feels about himself right now. He is alone, and so he is nothing. How do I explain to him that what applies to him does not apply to me? His context is not my context. How do you blow up the bus you've been forced to ride your entire life? It wasn't your fault there were no other means of transportation available.”
― Jami Attenberg, All Grown Up

“What if I start making art again? What if I just did that? That is the thing I love, that is the thing I miss the most. For so long I have believed I could never catch up, but now I realize there’s nothing to catch up to, there’s only what I choose to make. There’s still time, I think. I have so much time left.”
― Jami Attenberg, All Grown Up

“I want to stay still and to keep moving. I want this life and another. Don't look for me!”
― Zadie Smith, NW