HeuristicRhythm

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Laird Barron
“When I was six, I discovered a terrible truth: I was the only human being on the planet. I was the seed and the sower and I made myself several seconds from the event horizon at the end of time - at the x before time began. Indeed, there were six billion other carbon-based sapient life forms moiling in the earth, but none of them were the real McCoy. I'm the real McCoy. The rest? Cardboard props, marionettes, grist for the mill. After I made me, I broke the mold under my heel.”
Laird Barron, The Beautiful Thing That Awaits Us All

Arkady Strugatsky
“A picnic. Picture a forest, a country road, a meadow. Cars drive off the country road into the meadow, a group of young people get out carrying bottles, baskets of food, transistor radios, and cameras. They light fires, pitch tents, turn on the music. In the morning they leave. The animals, birds, and insects that watched in horror through the long night creep out from their hiding places. And what do they see? Old spark plugs and old filters strewn around... Rags, burnt-out bulbs, and a monkey wrench left behind... And of course, the usual mess—apple cores, candy wrappers, charred remains of the campfire, cans, bottles, somebody’s handkerchief, somebody’s penknife, torn newspapers, coins, faded flowers picked in another meadow.”
Arkady Strugatsky, Boris Strugatsky, Roadside Picnic

Thomas Ligotti
“The company that employed me strived only to serve up the cheapest fare that the customer would tolerate, churn it out as fast as possible, and charge as much as they could get away with. If it were possible to do so, the company would sell what all businesses of its kind dream about selling, creating that which all of our efforts were tacitly supposed to achieve: the ultimate product -- Nothing. And for this product they would command the ultimate price -- Everything.”
Thomas Ligotti, My Work is Not Yet Done: Three Tales of Corporate Horror

Thomas Ligotti
“It’s strange how you’re sometimes forced to assume an unsympathetic view of yourself through borrowed eyes.”
Thomas Ligotti, Songs of a Dead Dreamer

“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”
Ira Glass

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