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Homegoing
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Fugitive Tilts: E...
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Kait Rokowski
“Nothing ever ends poetically. It ends and we turn it into poetry. All that blood was never once beautiful. It was just red.”
Kait Rokowski

Rainer Maria Rilke
“I beg you, to have patience with everything unresolved in your heart and to try to love the questions themselves as if they were locked rooms or books written in a very foreign language. Don’t search for the answers, which could not be given to you now, because you would not be able to live them. And the point is to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing it, live your way into the answer.”
Rainer Maria Rilke, Letters to a Young Poet

Ocean Vuong
“These people, bound by nothing but toil in a tiny kitchen that was never truly a kitchen, paid just above minimum wage, their presence known to each other mostly through muscle memory, the shape of their bodies ingrained in the psyche from hours of periphery maneuvering through the narrow counters and back rooms of a fast-food joint designed by a corporate architect, so that they would come to know the sound of each other’s coughs and exhales better than those of their kin and loved ones. They, who owe each other nothing but time, the hours collectively shouldered into a shift so that they might finish on time, now brought to their knees in a forest to gather around a half-burnt headrest of a Nissan Maxima on a Tuesday in mid-April, their bodies finally touching, a mass of labor cobbled together by a boy’s hallowed loss—on the clock.”
Ocean Vuong, The Emperor of Gladness

Natalie Díaz
“Ecstasy that must look pretty from inside—to core not just an apple but the entire orchard, the family, even the dog. Leave the shells to the crows. A field of red lampshades in the dark Garden of Myiasis.

This is no cultivated haven. This is the earth riddled with a brother. The furrows are mountains. Waves of sand and we are ships wrecked. What’s left of a fleet of one hundred shadows shattered and bleached. A crop gone to sticks. The honeysuckle sags with bright sour powder. We have followed the flames, followed him here, where all the black birds in the world have fallen like a shotgun blast to the faded ground. The vines have hardened to worms baking in the desert heat. We are at the gate, shaking the gate, climbing the gate, clanging our cups against the gate.

This is no garden. This is my brother and I need a shovel to love him.”
Natalie Díaz, When My Brother Was an Aztec

Ocean Vuong
“I am writing because they told me to never start a sentence with because. But I wasn't trying to make a sentence—I was trying to break free. Because freedom, I am told, is nothing but the distance between the hunter and its prey.”
Ocean Vuong, On Earth We're Briefly Gorgeous

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