Isha G. K.

“People,” Wax said, “are like cords, Steris. We snake out, striking this way and that, always looking for something new. That’s human nature, to discover what is hidden. There’s so much we can do, so many places we can go.” He shifted in his seat, changing his center of gravity, which caused the sphere to rotate upward on its tether.
“But if there aren’t any boundaries,” he said, “we’d get tangled up. Imagine a thousand of these cords, zipping through the room. The law is there to keep us from ruining everyone else’s ability to explore. Without law, there’s no freedom. That’s why I am what I am.”
― Brandon Sanderson, The Bands of Mourning

“And then,” Steris said softly, “perhaps I came along because of the way it feels.…”
Marasi looked sharply back at her sister.
“Like the whole world has been upended,” Steris said, looking toward the ceiling. “Like the laws of nature and man no longer hold sway. They’re suddenly flexible, like a string given slack. We’re the spheres.… I love the idea that I can break out of it all—the expectations, the way I’m regarded, the way I regard myself—and soar.
“I saw it in his eyes, first. That hunger, that fire. And then I found it in myself. He’s a flame, Waxillium is, and fire can be shared. When I’m out here, when I’m with him, I burn, Marasi. It’s wonderful.”
Marasi’s jaw dropped, and she gawked at her sister. Had those words left Steris’s mouth? Careful, monotonous, boring Steris? She glanced toward Marasi and blushed.
“You actually love him, don’t you?” Marasi asked.
“Well, love is a strong emotion, one that requires careful deliberation to—”
“Steris.”
“Yes.” She looked down at her notebook. “It’s foolish, isn’t it?”
“Of course it is,” Marasi said. “Love is always a foolish emotion. That’s what makes it work.”
― Brandon Sanderson, The Bands of Mourning

“Sometimes you wake up. Sometimes the fall kills you. And sometimes, when you fall, you fly.”
― Neil Gaiman, The Sandman, Vol. 6: Fables & Reflections

“Damaged people are dangerous. They know they can survive.”
― Josephine Hart, Damage