Krissy Chun

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Edith Wharton
“She made no answer, and he went on: “What’s the use? You gave me my first glimpse of a real life, and at the same moment you asked me to go on with a sham one. It’s beyond human enduring—that’s all.”
Edith Wharton, The Age of Innocence

Charlotte Brontë
“Jane, my little darling (so I will call you, for so you are), you don't know what you are talking about; you misjudge me again: it is not because she is mad I hate her. If you were mad, do you think I should hate you?"

"I do indeed, sir."

"Then you are mistaken, and you know nothing about me, and nothing about the sort of love of which I am capable. Every atom of your flesh is as dear to me as my own: in pain and sickness it would still be dear. Your mind is my treasure, and if it were broken, it would be my treasure still: if you raved, my arms should confine you, and not a strait waistcoat--your grasp, even in fury, would have a charm for me: if you flew at me as wildly as that woman did this morning, I should receive you in an embrace, at least as fond as it would be restrictive. I should not shrink from you with disgust as I did from her: in your quiet moments you should have no watcher and no nurse but me; and I could hang over you with untiring tenderness, though you gave me no smile in return; and never weary of gazing into your eyes, though they had no longer a ray of recognition for me.”
Charlotte Brontë, Jane Eyre

Edith Wharton
“She said she knew we were safe with you, and always would be, because once, when she asked you to, you'd given up the thing you most wanted."

Archer received this strange communication in silence. His eyes remained unseeingly fixed on the thronged sunlit square below the window. At length he said in a low voice: "She never asked me.”
Edith Wharton, The Age of Innocence

Edith Wharton
“And you'll sit beside me, and we'll look, not at visions, but at realities.”
Edith Wharton, The Age of Innocence

Edith Wharton
“She sang, of course, "M'ama!" and not "he loves me," since an unalterable and unquestioned law of the musical world required that the German text of French operas sung by Swedish artists should be translated into Italian for the clearer understanding of English-speaking audiences.”
Edith Wharton, The Age of Innocence

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