Robert Porter

“careful attention to the history of the world for the last eighteen hundred years has shown me, that the priests of all religions have practiced fraud to forward their objects...I cannot forget that the priests of every age have protected, as ours do now protect, impostures, and that in every age numerous examples of pious fraud may be found...Magic is pretty nearly over, but fraud seldom throve better – Godfrey Higgins (Anacalypsis, 1833)”
― Michael Tsarion, The Irish Origins of Civilization, Volume One: The Servants of Truth: Druidic Traditions & Influence Explored

“If Jesus was truly the Son of God, why did he make such insignificant impact on the prominent intellectuals and historians of his time? Why do contemporary historians and intellectuals not mention Jesus or any of his acts? Why do recently discovered texts – such as the Gnostic Gospels, Dead Sea Scrolls and various Apocryphal works – not corroborate New Testament’s key accounts? Why were these texts considered uncanonical?”
― Michael Tsarion, The Irish Origins of Civilization, Volume Two: Akhenaton, the Cult of Aton & Dark Side of the Sun

“The bishops, cardinals, priests and curates of the past, and hysterical, verbose evangelists and pastors preaching today would hardly be required if the chapters and verses of the Bible made sense. They were not intended to make rational sense. They were entered and espoused because they stimulate the mythic sensibility and ancestral consciousness. They stir the imagination and limbic centers of the brain. They bypass reason and logic and keep men at an autistic or infantile level of consciousness.”
― Michael Tsarion, The Irish Origins of Civilization, Volume Two: Akhenaton, the Cult of Aton & Dark Side of the Sun

“This brings us to the diabolical core of the thought of Heraclitus. The word diabolos, from which we derive the epithet of the “devil” comes from the Greek diabolein, which means a dynamic tension of merely apparent opposites. The diabolos or “devil” sets in contradiction and fosters conflict, as a motor of change, while diabolically occulting an esoteric harmony and a singular logos that is ultimately the ‘rationale’ of an Aeon that is akin to a child playing a game that involves both chance and decision, more like backgammon than chess. It is Heraclitus who offers us the first vision of the Satan Aeon, who he must have identified with Artemis in whose temple he took refuge. He writes: “The counter thrust brings together, and from tones at variance comes perfect attunement, and all things come to pass through conflict.” (Diels 8) “They do not comprehend how a thing agrees at variance with itself; it is an attunement turning back on itself, like that of the bow and the lyre.” (Diels 51) “The hidden attunement is better than the obvious one.” (Diels 54) “Graspings: wholes and not wholes, convergent divergent, consonant dissonant, from all things one and from one thing all.” (Diels 10) “Human opinions are toys for children.” (Diels 70) “The Aeon is a child at play, moving pieces in a game (pessoi, tavli). Sovereignty belongs to the child.” (Diels 52)”
― Jason Reza Jorjani, Satanaeon