Trista Hendren

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Susan Abulhawa
“All us wounded women make a career of trying to put other people back together.”
Susan Abulhawa, The Blue Between Sky and Water

Layla K. Feghali
“Food itself is such a foundational and integrated part of our collective tradition that some people might miss just how meaningful it is as a form of herbal medicine. It is arguably the most tenacious, intact, aspect of our ancestral botanical wisdom alive today. Our traditional recipes themselves are balanced formulations we may not be conscious of, but we maintain in the continuation of our ancestors who first developed them, and are empowered by our union with one another in both their conjuring and consumption.”
Layla K. Feghali, The Land in Our Bones

Susan Abulhawa
“In the abandon of that solitude, we could see how tiny we were, how small and defenseless our earth. And from that terrible dignity, we heard the susurrus of a long-ago old woman’s words: This land will rise again!”
Susan Abulhawa, The Blue Between Sky and Water

Carol P. Christ
“The God of Exodus and the prophets is a warrior God. My rejection of this God as a liberating image for feminist theology is based on my understanding of the symbolic function of a warrior God in cultures where warfare is glorified as a symbol of manhood and power. My primary concern here is with the function of symbolism, not with the historical truth of the Exodus stories, with questions of how many slaves may or may not have been freed, nor by what means, nor with questions of the different traditions that may have been woven together to shape the biblical stories. Since liberation theology is fundamentally concerned with the use of biblical symbolism in shaping contemporary reality and the understanding of the divine ground, this method is appropriate here. In a world threatened by total nuclear annihilation, we cannot afford a warlike image of God. The image of Yahweh as liberator of the oppressed in the exodus and as concerned for social justice in the prophets cannot be extricated from the image of Yahweh as warrior.

In Exodus Yahweh is imaged as concerned for the oppressed Israelites. Exodus 3:7-8 is a good example. ‘Then Yahweh said, ‘I have seen the affliction of my people who are in Egypt and have heard their cry because of their taskmasters: I know their sufferings, and I have come down to deliver them out of the hand of the Egyptians.’ People in oppressed circumstances and liberation theologians find passages like this inspiring. I too have been profoundly moved by the image of a God who takes compassion on suffering, but this passage has a conclusion I cannot accept. The passage continues ‘and to bring them up out of the land to a good and broad land, a land flowing with milk and honey, to the place of the Canaanites, the Hittites, the Amorites, the Perizzites, the Hivites, and the Jebusites.’ Here Yahweh promises ‘his people’ a land that is inhabited by other peoples. In order to justify this action by Yahweh, the inhabitants of the land are portrayed in other parts of the Bible as evil or idolators (a term that itself bears further examination). More recently liberation theologians have portrayed these other peoples as ruling-class opponents of the poor peasant and working-class Hebrews. However that may be, the clear implication of the passage is that Yahweh intends to dispose the peoples from the lands they inhabit.”
Carol P. Christ, Laughter of Aphrodite: Reflections on a journey to the goddess

“Lilith, in Hebrew legend, was the rebellious woman created before Eve. She was portrayed as part snake and wearing wings—“the winding serpent who is Lilith”—and was blamed by Yahweh for having tempted Eve to reveal and initiate Adam into the mysteries of the garden. Lilith represented the ancient Canaanite worship of Astarte-Asherah, and also Ishtar of Babylon. Her relation to the very old Snake-and-Bird Goddess is obvious, and her rebellious naughty mysteries were those of yoga, of kundalini and spinal illumination. Far into medieval European Christian imagery, the serpent in paradise is pictured with a woman’s head and breasts.”
Monica Sjöö, The Great Cosmic Mother: Rediscovering the Religion of the Earth

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