Mary

“A lot of the time I'd get that feeling like I was in the middle of a huge black ocean, or in deep space, but not in the fascinating way. It's just that everything was incredibly far away from me. It was worst at night. I started inventing things, and then I couldn't stop, like beavers, which I know about. People think they cut down trees so they can build dams, but in reality it's because their teeth never stop growing, and if they didn't constantly file them down by cutting through all of those trees, their teeth would start to grow into their own faces, which would kill them. That's how my brain was.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“Well, you're free without wanting to be,' he explained, 'it just happens so, that's all. But Mathieu's freedom is based on reason.'
'I still don't understand,' said Lola, shaking her head.
'Well, he doesn't care a curse about his apartment: he lives there just as he would live anywhere else, and I've got the feeling that he doesn't care much about his girl. He stays with her because he must sleep with someone. His freedom isn't visible, it's inside him.”
― Jean-Paul Sartre, The Age of Reason

“[...] I thought, it's a shame that we have to live, but it's a tragedy that we get to live only one life [...]”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“I pull the skull off my head. Even though it's made of papier-mache it's really hard. I smash it against Jimmy Snyder's head, and I smash it again. He falls to the ground, because he is unconscious, and I can't believe how strong I actually am. I smash his head again with all my force and blood starts to come out of his nose and ears. But I still don't feel any sympathy for him. I want him to bleed, because he deserves it. And nothing else makes any sense. Dad doesn't make sense.Mom doesn't make sense. The Audience doesn't make sense. The folding chairs and fog machine don't make sense. Shakespeare doesn't make sense. The stars that I know are on the other side of the gym ceiling don't make sense. The only thing that makes any sense right then is my smashing Jimmy Snyder's face. His blood. I knock a bunch of his teeth into his mouth, and I think they go down his throat. There is blood everywhere, covering everything. I keep smashing the skull against his skull, which is also Ron's skull (for letting Mom get on with life) and Mom's skull (for getting on with life) and Dad's skull (for dying) and Grandma's skull (for embarrassing me so much) and Dr. Fein's skull (for asking if any good could come out of Dad's death) and the skulls of everyone else I know. The Audience is applauding, all of them, because I am making so much sense. They are giving me a standing ovation as I hit him again and again.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close